During the Second Opium War (1856-1860), British and French troops fought to expand their privileges in China. The war ended in Beijing in October 1860 with the looting and burning of the Yuanmingyuan, one of the official seats of government of the Chinese Emperor to the northwest of the Chinese capital. Thousands of these objects – figures up to over a million have been suggested – were brought to Europe and are today in Western museums and private collections. Little is known about the quantity of objects that reached Europe, about the market mechanisms in the West, the collectors that purchased the artefacts from the Summer Palace, as well as the paths taken by the objects in the years after 1860: which objects arrived in Europe? In w...
Seizing Civilization uses the Shanghai Museum as a case study to examine an extraordinary process of...
Research for this article was initially prompted by a restitution claim for several early Chinese ob...
This chapter considers how the novelty of the Yuanmingyuan objects was received and conceived of by ...
This article examines the exhibitions and sales of Yuanmingyuan (or “Summer Palace”) loot taken from...
This article examines the exhibitions and sales of Yuanmingyuan (or ‘Summer Palace’) loot taken from...
In October 1860, at the culmination of the Second Opium War (1856-60), British and French troops loo...
In October 1860, at the culmination of the Second Opium War (1856–60), British and French troops loo...
In October 1860, at the culmination of the Second Opium War, British and French troops looted and de...
This dataset contains all the catalogues of artefacts, sold at auction in Paris in the 1860's, after...
This introduction presents an overview of the key concepts discussed in the subsequent chapters of t...
第33届世界艺术史大会Congress Theme: The Challenge of the ObjectSection 7 - Missing Links: Object Manipulation...
While scholars, like James Hevia in English Lessons, have revised historical views of the impacts of...
On April 30, 2000, Christie’s Hong Kong mounted a sale designated the Imperial Sale. The Sale was th...
With disputes relating to looted Chinese objects in the news, we asked Professor James Hevia of the ...
The period between about 1900 and 1937 witnessed the opening up of an international market in Chines...
Seizing Civilization uses the Shanghai Museum as a case study to examine an extraordinary process of...
Research for this article was initially prompted by a restitution claim for several early Chinese ob...
This chapter considers how the novelty of the Yuanmingyuan objects was received and conceived of by ...
This article examines the exhibitions and sales of Yuanmingyuan (or “Summer Palace”) loot taken from...
This article examines the exhibitions and sales of Yuanmingyuan (or ‘Summer Palace’) loot taken from...
In October 1860, at the culmination of the Second Opium War (1856-60), British and French troops loo...
In October 1860, at the culmination of the Second Opium War (1856–60), British and French troops loo...
In October 1860, at the culmination of the Second Opium War, British and French troops looted and de...
This dataset contains all the catalogues of artefacts, sold at auction in Paris in the 1860's, after...
This introduction presents an overview of the key concepts discussed in the subsequent chapters of t...
第33届世界艺术史大会Congress Theme: The Challenge of the ObjectSection 7 - Missing Links: Object Manipulation...
While scholars, like James Hevia in English Lessons, have revised historical views of the impacts of...
On April 30, 2000, Christie’s Hong Kong mounted a sale designated the Imperial Sale. The Sale was th...
With disputes relating to looted Chinese objects in the news, we asked Professor James Hevia of the ...
The period between about 1900 and 1937 witnessed the opening up of an international market in Chines...
Seizing Civilization uses the Shanghai Museum as a case study to examine an extraordinary process of...
Research for this article was initially prompted by a restitution claim for several early Chinese ob...
This chapter considers how the novelty of the Yuanmingyuan objects was received and conceived of by ...