This article concerns the representation of Indigenous People, African and African Descendants in the work of Frans Post, a xviith century Dutch painter who lived in Recife. The paintings, drawings and engravings we selected for this study refer to different periods of Post’s work. They represent the activities of free men and women, of slaves or freed slaves in the Luso-Dutch colonial world in Brazil. They are characters that were recreated in landscapes evoking the nature of the Northeast coast with buildings such as fortifications, sugar mills, villages and roads. The article engages with the history of cultural interactions, of visual arts and of the imagery in graphic representations. At the same time, it concerns the construction of t...
Esta é uma investigação sobre como a recepção às pinturas ...
This research aims to investigate the black presence in the painting by local artists in the first h...
Albert Eckhout’s twenty-one paintings, signed and dated 1641-1643, kept at the National Museum of De...
Cet article est consacré à la représentation des Indigènes, des Africains et des Afrodescendants dan...
Arguing that landscape is culturally constructed by social relations and power, my analysis of Frans...
The article focuses on several issues related to the presence of African Brazilian community in the ...
This article proposes an analysis of the illustration of the sugar factory inserted in the Histoire ...
The aims of this dissertation is to study formation of the Dutch view seeing the colonial scenery in...
The article discusses the frame of Frans Post’s View of Olinda, Brazil (1662) and its structure, ide...
This article examines how the works of Jean-Baptiste Debret (1768-1848) and François-Auguste Biard (...
Visions of Savage Paradise is the first major book-length study of the Dutch artist Albert Eckhout t...
International audienceThis article investigates part of the artistic production of a group of French...
This study analyses visual culture in the context of British and French colonial activity in the Nor...
This solo exhibition focuses on the understanding and contextualization of Afro-Indige- nous culture...
The article is about Brazilian communities of ex-slaves who returned to Africa and proposes a change...
Esta é uma investigação sobre como a recepção às pinturas ...
This research aims to investigate the black presence in the painting by local artists in the first h...
Albert Eckhout’s twenty-one paintings, signed and dated 1641-1643, kept at the National Museum of De...
Cet article est consacré à la représentation des Indigènes, des Africains et des Afrodescendants dan...
Arguing that landscape is culturally constructed by social relations and power, my analysis of Frans...
The article focuses on several issues related to the presence of African Brazilian community in the ...
This article proposes an analysis of the illustration of the sugar factory inserted in the Histoire ...
The aims of this dissertation is to study formation of the Dutch view seeing the colonial scenery in...
The article discusses the frame of Frans Post’s View of Olinda, Brazil (1662) and its structure, ide...
This article examines how the works of Jean-Baptiste Debret (1768-1848) and François-Auguste Biard (...
Visions of Savage Paradise is the first major book-length study of the Dutch artist Albert Eckhout t...
International audienceThis article investigates part of the artistic production of a group of French...
This study analyses visual culture in the context of British and French colonial activity in the Nor...
This solo exhibition focuses on the understanding and contextualization of Afro-Indige- nous culture...
The article is about Brazilian communities of ex-slaves who returned to Africa and proposes a change...
Esta é uma investigação sobre como a recepção às pinturas ...
This research aims to investigate the black presence in the painting by local artists in the first h...
Albert Eckhout’s twenty-one paintings, signed and dated 1641-1643, kept at the National Museum of De...