The emergence of American Pop art as a major avant-garde movement had a significant impact on the market for contemporary art and, with it, the perception of America's newly achieved cultural superiority. A detailed examination of sales records of avant-garde galleries in New York reveals Pop's appeal to collectors (especially businessmen), despite significant critical disdain, and links the formal qualities and subjects of Pop art to widely-held assumptions about modes of viewing and social class
This dissertation examines the space of U.S. film criticism between 1996 and 2006 and the effects of...
The popular arts and mass culture represent our environment. The flood of their products reduces hig...
International audienceThis article presents the implications, objectives and initial results of a cu...
Evidence of the impact of American Pop art pervades the artistic and cultural transformations of 196...
This paper considers the so-called triumph of American art from the perspective of what Western Euro...
The essay discusses the logic of distinction under the sign of the contemporary culture of differenc...
The popular arts and mass culture represent our environment. The flood of their products reduces hig...
Previous studies of the market for cultural offerings have repeatedly found support for a significan...
Between 1962 and 1965 pop art received a phenomenal amount of exposure in mass-market magazines such...
We surround ourselves with visual art, from decorative mirrors and billboard ads to bedroom posters ...
This article illustrates a persistent recent strain in my research invoking the concept of 'carnival...
We surround ourselves with visual art, from decorative mirrors and billboard ads to bedroom posters ...
International audienceMass Culture, the Popular Arts in America, a reader co-edited by Bernard Rosen...
In the mid to late 1950s, Pop Art started to become the next artistic movement for commercial and ab...
P(論文)Commemoration Issue Dedicated to Professor Masumi Ishinabe on the Occasion of his Retirementdep...
This dissertation examines the space of U.S. film criticism between 1996 and 2006 and the effects of...
The popular arts and mass culture represent our environment. The flood of their products reduces hig...
International audienceThis article presents the implications, objectives and initial results of a cu...
Evidence of the impact of American Pop art pervades the artistic and cultural transformations of 196...
This paper considers the so-called triumph of American art from the perspective of what Western Euro...
The essay discusses the logic of distinction under the sign of the contemporary culture of differenc...
The popular arts and mass culture represent our environment. The flood of their products reduces hig...
Previous studies of the market for cultural offerings have repeatedly found support for a significan...
Between 1962 and 1965 pop art received a phenomenal amount of exposure in mass-market magazines such...
We surround ourselves with visual art, from decorative mirrors and billboard ads to bedroom posters ...
This article illustrates a persistent recent strain in my research invoking the concept of 'carnival...
We surround ourselves with visual art, from decorative mirrors and billboard ads to bedroom posters ...
International audienceMass Culture, the Popular Arts in America, a reader co-edited by Bernard Rosen...
In the mid to late 1950s, Pop Art started to become the next artistic movement for commercial and ab...
P(論文)Commemoration Issue Dedicated to Professor Masumi Ishinabe on the Occasion of his Retirementdep...
This dissertation examines the space of U.S. film criticism between 1996 and 2006 and the effects of...
The popular arts and mass culture represent our environment. The flood of their products reduces hig...
International audienceThis article presents the implications, objectives and initial results of a cu...