The article deals with the role of the bourgeois in the great comedies of J. B. Molière. It shows the artist’s dichotomy regarding the class which was – in the time of Louis XIV – getting the decisive influence over the “state affairs”. The article tries to find the answer why
« Molière, Baroque »? Not so long ago, this statement itself might have seemed « baroque », in the s...
To put the whole subject of the role of women in Moliere's comedies into context, it is necessary to...
Louis the duc de Bourgogne (1686 – 1712), grandson of Louis XIV, was briefly Dauphin of France befor...
In lieu of an abstract, below is the essay\u27s first paragraph. Molière, complying with the demand...
In the seventeenth century, French theatre experienced a flourishing like no other. Molière, the Fat...
This paper examines Louis XIV’s patronage of the arts as a tool to consolidate his absolutist rule t...
(print) x, 283 p. : ill. ; 22 cmBibliography: p. [251]-271Acknowledgments ix -- Introduction 3 -- Ch...
It is by no means an easy task to analyse and interpret the work of a dramatist such as Molière, for...
This Master's diploma thesis deals with the work of French playwright Molière, to be more precise, w...
This thesis attempts a definition of comedy by analyzing the comedies of Molière and Goldoni. Althou...
Népote-Desmarres Fanny. Molière, auteur pastoral ? Aperçu sur quelques rapports avec la politique de...
This article analyzes the legendary relationship between Moliere and Louis XIV, as it was reinterpre...
Through the history of mankind comedy has been, and still is, a form of entertainment. Comedy also h...
Molière’s theater is itself, by definition, a lieu de culture. The performance of one of his plays t...
Influential analyses of the burlesque ballets performed at the court of Louis XIII argue that the ba...
« Molière, Baroque »? Not so long ago, this statement itself might have seemed « baroque », in the s...
To put the whole subject of the role of women in Moliere's comedies into context, it is necessary to...
Louis the duc de Bourgogne (1686 – 1712), grandson of Louis XIV, was briefly Dauphin of France befor...
In lieu of an abstract, below is the essay\u27s first paragraph. Molière, complying with the demand...
In the seventeenth century, French theatre experienced a flourishing like no other. Molière, the Fat...
This paper examines Louis XIV’s patronage of the arts as a tool to consolidate his absolutist rule t...
(print) x, 283 p. : ill. ; 22 cmBibliography: p. [251]-271Acknowledgments ix -- Introduction 3 -- Ch...
It is by no means an easy task to analyse and interpret the work of a dramatist such as Molière, for...
This Master's diploma thesis deals with the work of French playwright Molière, to be more precise, w...
This thesis attempts a definition of comedy by analyzing the comedies of Molière and Goldoni. Althou...
Népote-Desmarres Fanny. Molière, auteur pastoral ? Aperçu sur quelques rapports avec la politique de...
This article analyzes the legendary relationship between Moliere and Louis XIV, as it was reinterpre...
Through the history of mankind comedy has been, and still is, a form of entertainment. Comedy also h...
Molière’s theater is itself, by definition, a lieu de culture. The performance of one of his plays t...
Influential analyses of the burlesque ballets performed at the court of Louis XIII argue that the ba...
« Molière, Baroque »? Not so long ago, this statement itself might have seemed « baroque », in the s...
To put the whole subject of the role of women in Moliere's comedies into context, it is necessary to...
Louis the duc de Bourgogne (1686 – 1712), grandson of Louis XIV, was briefly Dauphin of France befor...
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