Viewed from a historical perspective, the twentieth century appears to have largely broken with the fundamental traits that marked the nineteenth century. In some respects, however, certain specific characteristics were enhanced. This is particularly true of the emphasised subjectivism and the drive to innovate. Both of these premises arise from the Romantic desire for the characteristic, for that which is new each time and subjectively marked
This article surveys the transformations and permutations of “totality” throughout the cultural and ...
The twentieth century is an age that saw striking innovations in music composition while cultural a...
This paper presents strategies used by early twentieth-century composers in order to secure an incom...
Few twentieth-century composers were considered more untimely than those who persisted in using the ...
One of the celebrated promises of the twentieth century was the arrival of an art without any constr...
A comparative study of modernist and realistic inventive traits in Europe in the early 19th century ...
A century on from its first flowering, musical modernism still arouses passions and is riven by cont...
Few twentieth-century composers were considered more untimely than those who persisted in using the ...
In the first decade of the twentieth-century, many composers rejected the principles of tonality and...
The idea of progress became increasingly relevant during the 19th century, eventually instigating a ...
The Aesthetic Experience of the 20th century: Avant-garde and Post-modernism"Drawing from various at...
The twentieth century has developed three models for describing contemporary art. Three narratives d...
In this article I analyse the context and features of resemantized tonality, historically linked ...
Publisher's description of the volume in which this chapter appears: Music and Modernism is a col...
The artistic manifestations that have taken place in the modern era have been reflected in modernism...
This article surveys the transformations and permutations of “totality” throughout the cultural and ...
The twentieth century is an age that saw striking innovations in music composition while cultural a...
This paper presents strategies used by early twentieth-century composers in order to secure an incom...
Few twentieth-century composers were considered more untimely than those who persisted in using the ...
One of the celebrated promises of the twentieth century was the arrival of an art without any constr...
A comparative study of modernist and realistic inventive traits in Europe in the early 19th century ...
A century on from its first flowering, musical modernism still arouses passions and is riven by cont...
Few twentieth-century composers were considered more untimely than those who persisted in using the ...
In the first decade of the twentieth-century, many composers rejected the principles of tonality and...
The idea of progress became increasingly relevant during the 19th century, eventually instigating a ...
The Aesthetic Experience of the 20th century: Avant-garde and Post-modernism"Drawing from various at...
The twentieth century has developed three models for describing contemporary art. Three narratives d...
In this article I analyse the context and features of resemantized tonality, historically linked ...
Publisher's description of the volume in which this chapter appears: Music and Modernism is a col...
The artistic manifestations that have taken place in the modern era have been reflected in modernism...
This article surveys the transformations and permutations of “totality” throughout the cultural and ...
The twentieth century is an age that saw striking innovations in music composition while cultural a...
This paper presents strategies used by early twentieth-century composers in order to secure an incom...