In this article, the Belgian modernist and avant-garde literary periodicals from the post-World War I period are presented as “a network”. This network shows some remarkable characteristics, namely openness, heterogeneity, apparent solidarity among the different periodicals and its evolution in time. This network has an intertextual dimension - which sees periodicals as a means of expressing and bouncing of ideas - and an interpersonal dimension – which sees literary periodicals as interconnected entities. Several schemes bring this two-dimensional texture to the fore
In the time span between the two world wars, the intense literary activity in France resulted in th...
Pierre-Louis Flouquet (1900-1967) is mainly known for his abstract paintings and poetry, but surpris...
In the context of the Belgian federalist state, historical literary research is usually inspired by ...
L’ensemble des revues littéraires belges, modernistes et d’avant-garde, de l’immédiat après-guerre e...
In January 1924, Flemish avant-garde magazine Het Overzicht published a list of its congenial modern...
In January 1924, Flemish avant-garde magazine <em>Het Overzicht</em> published a list of its congeni...
This article proposes a double hypothesis: periodicals act as repositories for the history of poetry...
The present article wants to provide some methodological reflections for the study of periodicals an...
The present article wants to provide some methodological reflections for the study of periodicals an...
An avant-garde Belgian review published during World War I, Résurrection (1917-1918) reveals both th...
In 1928, students from the Academy of Fine Arts in Liege founded a journal of architecture and town ...
Notre thèse s'inscrit dans la lignée des recherches portant sur les réseaux de revues et l'intérêt d...
In this paper I discuss the contribution of the magazine «Neue Rundschau» in disseminating European ...
The shock of the First World War resulted in a range of initiatives that, on the artistic level, rad...
The new photo-illustrated magazines of the 1920s traded in images of an ideal modernity, promising m...
In the time span between the two world wars, the intense literary activity in France resulted in th...
Pierre-Louis Flouquet (1900-1967) is mainly known for his abstract paintings and poetry, but surpris...
In the context of the Belgian federalist state, historical literary research is usually inspired by ...
L’ensemble des revues littéraires belges, modernistes et d’avant-garde, de l’immédiat après-guerre e...
In January 1924, Flemish avant-garde magazine Het Overzicht published a list of its congenial modern...
In January 1924, Flemish avant-garde magazine <em>Het Overzicht</em> published a list of its congeni...
This article proposes a double hypothesis: periodicals act as repositories for the history of poetry...
The present article wants to provide some methodological reflections for the study of periodicals an...
The present article wants to provide some methodological reflections for the study of periodicals an...
An avant-garde Belgian review published during World War I, Résurrection (1917-1918) reveals both th...
In 1928, students from the Academy of Fine Arts in Liege founded a journal of architecture and town ...
Notre thèse s'inscrit dans la lignée des recherches portant sur les réseaux de revues et l'intérêt d...
In this paper I discuss the contribution of the magazine «Neue Rundschau» in disseminating European ...
The shock of the First World War resulted in a range of initiatives that, on the artistic level, rad...
The new photo-illustrated magazines of the 1920s traded in images of an ideal modernity, promising m...
In the time span between the two world wars, the intense literary activity in France resulted in th...
Pierre-Louis Flouquet (1900-1967) is mainly known for his abstract paintings and poetry, but surpris...
In the context of the Belgian federalist state, historical literary research is usually inspired by ...