This article focuses on one scene from the episode entitled “The Wheel”, in which a machine allows the characters to time-travel, within a series which does the same. Michael Taussig’s theories on mimesis, expressed in his book Magic and Mimesis, will be used here to argue that what is being faithfully rendered in Mad Men is a particular relationship to the commodity, and the way in which the commodity is used to recapture the past. Don Draper’s epiphany in the “Carousel” scene becomes the spectator’s, and the healing power of the object is close to the impact of the series which manages to reactivate a past era for the audience
The article proposes a narrative approach to Mad Men (AMC, 2007-2015), the television series by the ...
This article investigates how the TV series Mad Men portrays the Fifties through the lens of self-re...
The essay discusses the “artistic” potential of contemporary television dramas produced in the US, f...
Mad Men utilizes television, quotes television and contemplates and negotiates its role, to the exte...
Memory is central to Mad Men (Matthew Weiner 2007-15) as a period piece set in the 1960s that activa...
As an epitome of postmodern television, Mad Men engages in narrative breaks, non-linear storytelling...
In “Learning to Live with Television in Mad Men, ” Horace Newcomb argued that Mad Men serializes “so...
Here, I argue that the hybrid serial form is significant in the way Mad Men chooses to tell its vers...
For seven seasons, viewers worldwide watched as ad man Don Draper moved from adultery to self-discov...
Donald Draper as a Philosopher of Nostalgia. In contemporary media studies, the TV series Mad Men ha...
For a show called Mad Men, much of the critical scholarship surrounding the hit AMC period drama rel...
This article explores crucial concepts of Stanley Cavell's moral perfectionism by asking: what does ...
This article looks at the way Matthew Weiner deploys double vision in his historical re-imagination ...
To say that Mad Men exhibits some ambivalence toward Don Draper as a character anyone might admire o...
The present article offers an analysis of season 1 of Mad Men from the angle of alterity. The object...
The article proposes a narrative approach to Mad Men (AMC, 2007-2015), the television series by the ...
This article investigates how the TV series Mad Men portrays the Fifties through the lens of self-re...
The essay discusses the “artistic” potential of contemporary television dramas produced in the US, f...
Mad Men utilizes television, quotes television and contemplates and negotiates its role, to the exte...
Memory is central to Mad Men (Matthew Weiner 2007-15) as a period piece set in the 1960s that activa...
As an epitome of postmodern television, Mad Men engages in narrative breaks, non-linear storytelling...
In “Learning to Live with Television in Mad Men, ” Horace Newcomb argued that Mad Men serializes “so...
Here, I argue that the hybrid serial form is significant in the way Mad Men chooses to tell its vers...
For seven seasons, viewers worldwide watched as ad man Don Draper moved from adultery to self-discov...
Donald Draper as a Philosopher of Nostalgia. In contemporary media studies, the TV series Mad Men ha...
For a show called Mad Men, much of the critical scholarship surrounding the hit AMC period drama rel...
This article explores crucial concepts of Stanley Cavell's moral perfectionism by asking: what does ...
This article looks at the way Matthew Weiner deploys double vision in his historical re-imagination ...
To say that Mad Men exhibits some ambivalence toward Don Draper as a character anyone might admire o...
The present article offers an analysis of season 1 of Mad Men from the angle of alterity. The object...
The article proposes a narrative approach to Mad Men (AMC, 2007-2015), the television series by the ...
This article investigates how the TV series Mad Men portrays the Fifties through the lens of self-re...
The essay discusses the “artistic” potential of contemporary television dramas produced in the US, f...