Leiwah is an Afro-Arabic musical tradition wide spread in the Persian Golf which came into this region from East Africa by way of Omani merchants. In Dubai, leiwah is performed principally at marriages within the different communities of the city (Bedouins, Balouches, ‘ajam), as well as at anniversaries, National Day celebrations and commercial festivals. It is practiced by amateurs among the members of these communities, especially by some of the « Balouchis » within such associations as the Associations of Popular Arts. Though this kind of activity was not remunerated in the past, it is presently at the center of a high economic competition between various music bands and the associations which harbor them. This recent phenomenon in Dubai...
L'étude des musiques légères urbaines traditionnelles en Iran, en Asie Centrale et en Rép. d'Azerbaï...
Taarab is a style of music performed all along the Swahili coast at weddings and on other celebrator...
The Gnawa of Oujda: music at the margins in Morocco.This paper describes some of my fieldwork encoun...
Le leiwah est une tradition musicale afro-arabe, qui s’est diffusée dans le golfe Persique à partir ...
Given the difficulty to describe the musical forms of the Arabian Peninsula, which are very little k...
The Gulf States have enjoyed several decades of economic prosperity, and this prosperity (along with...
The “suq al-Musiqiyyin”, the musicians' market, in Cairo refers to the social space of non academic ...
Dès la fin des années 1970, le paysage musical dans le monde arabe a vécu des changements majeurs qu...
Beginning with early evidence of crossover in the music of Zanzibar, the paper considers reflections...
Gnawa music, traditional Moroccan ritual music has become widely popular and is now played in cafes,...
So far da'wah is generally carried out traditionally, i.e. through religious lectures at worship pla...
People appear to have a natural disposition toward music. Although music’s presence is evident in al...
This is an English translation of an article originally published as “La patrimonialisation des musi...
Melody looting or mechanism of exchange ? A story of musical crossovers between Yemen and the Gulf I...
El-Maghrébi-Rabbaj Saïd. Al-Malhûn : une tradition musicale marocaine . In: Horizons Maghrébins - Le...
L'étude des musiques légères urbaines traditionnelles en Iran, en Asie Centrale et en Rép. d'Azerbaï...
Taarab is a style of music performed all along the Swahili coast at weddings and on other celebrator...
The Gnawa of Oujda: music at the margins in Morocco.This paper describes some of my fieldwork encoun...
Le leiwah est une tradition musicale afro-arabe, qui s’est diffusée dans le golfe Persique à partir ...
Given the difficulty to describe the musical forms of the Arabian Peninsula, which are very little k...
The Gulf States have enjoyed several decades of economic prosperity, and this prosperity (along with...
The “suq al-Musiqiyyin”, the musicians' market, in Cairo refers to the social space of non academic ...
Dès la fin des années 1970, le paysage musical dans le monde arabe a vécu des changements majeurs qu...
Beginning with early evidence of crossover in the music of Zanzibar, the paper considers reflections...
Gnawa music, traditional Moroccan ritual music has become widely popular and is now played in cafes,...
So far da'wah is generally carried out traditionally, i.e. through religious lectures at worship pla...
People appear to have a natural disposition toward music. Although music’s presence is evident in al...
This is an English translation of an article originally published as “La patrimonialisation des musi...
Melody looting or mechanism of exchange ? A story of musical crossovers between Yemen and the Gulf I...
El-Maghrébi-Rabbaj Saïd. Al-Malhûn : une tradition musicale marocaine . In: Horizons Maghrébins - Le...
L'étude des musiques légères urbaines traditionnelles en Iran, en Asie Centrale et en Rép. d'Azerbaï...
Taarab is a style of music performed all along the Swahili coast at weddings and on other celebrator...
The Gnawa of Oujda: music at the margins in Morocco.This paper describes some of my fieldwork encoun...