The recent acquisition by the Musée des Monuments français/Cité de l’architecture et du patrimoine of twelve plaster casts of statues at the Luxembourg palace by Guillaume Bertelot (1580-1648), offers an opportunity to analyse the role played by casts in an important restoration operation on a building towards the end of the 19th century and to highlight the debates created by this initiative. The contribution also raises the question of the status of these plaster casts, which represent unique archeological testimonies of seventeenth-century works now lost
Detail, raking view of installation in Palais de Chaillot; In the late Victorian era, plaster casts ...
International audienceIn 19th century, archaeology becomes a scientific discipline and appears in hi...
During the second half of the nineteenth century, European explorers discovered the ruins of Prehisp...
The plaster casts made during the restoration of religious buildings during the nineteenth century w...
In 2012, during the preparation of the exhibition entitled ‘Notre-Dame de Laon. Des ruines romantiqu...
By the late 1830s, Belgium acquired plaster casts for its "Musée des plâtres". The creation in 1871 ...
The collections of plaster casts of the architectural decor of nine monuments belonging to the Centr...
This conservation treatment for the bronze statue of Henri IV is the first since its creation in 181...
The restoration in November 2004 of the equestrian statue of Henri IV located on the Pont-Neuf in Pa...
Created predominantly by the will of Louis XIV, the immense sculptural legacy of the gardens of Vers...
The National Museum of Antiquities (MAN) was created at the instigation of Emperor Napoleon III in 1...
Telamones and Caryatids by Rodin for Two Buildings in Brussels. Between 1872 and 1874, Rodin, worki...
The study of Sapho ou Le Chant, a plaster cast foundry created by Raoul Verlet and preserved in the ...
The National Museum of Antiquities (MAN) was created at the instigation of Emperor Napoleon Ill in 1...
Like painters, the earliest photographers used, as models, the plaster casts of classical sculptures...
Detail, raking view of installation in Palais de Chaillot; In the late Victorian era, plaster casts ...
International audienceIn 19th century, archaeology becomes a scientific discipline and appears in hi...
During the second half of the nineteenth century, European explorers discovered the ruins of Prehisp...
The plaster casts made during the restoration of religious buildings during the nineteenth century w...
In 2012, during the preparation of the exhibition entitled ‘Notre-Dame de Laon. Des ruines romantiqu...
By the late 1830s, Belgium acquired plaster casts for its "Musée des plâtres". The creation in 1871 ...
The collections of plaster casts of the architectural decor of nine monuments belonging to the Centr...
This conservation treatment for the bronze statue of Henri IV is the first since its creation in 181...
The restoration in November 2004 of the equestrian statue of Henri IV located on the Pont-Neuf in Pa...
Created predominantly by the will of Louis XIV, the immense sculptural legacy of the gardens of Vers...
The National Museum of Antiquities (MAN) was created at the instigation of Emperor Napoleon III in 1...
Telamones and Caryatids by Rodin for Two Buildings in Brussels. Between 1872 and 1874, Rodin, worki...
The study of Sapho ou Le Chant, a plaster cast foundry created by Raoul Verlet and preserved in the ...
The National Museum of Antiquities (MAN) was created at the instigation of Emperor Napoleon Ill in 1...
Like painters, the earliest photographers used, as models, the plaster casts of classical sculptures...
Detail, raking view of installation in Palais de Chaillot; In the late Victorian era, plaster casts ...
International audienceIn 19th century, archaeology becomes a scientific discipline and appears in hi...
During the second half of the nineteenth century, European explorers discovered the ruins of Prehisp...