Degas and the horse. To study the way horses moved, long before Muybridge’s celebrated photographs were published in 1878, the painter Degas visited his friend Paul Valpinçon in Normandy, at Ménil-Hubert near the Haras du Pin stud farm. It was there, in 1861, that he drew in his notebooks, constituting a corpus from which he drew inspiration for modelling wax horses used for his pictures done in oil or pastel. This research into movement is an essential element in Degas’ work
The horse’s figure in the eighteenth century, the classical model challenged by Edme Bouchardon’s dr...
The representations of horses in the work of a late-nineteenth-century artist, Armand Charnay. Altho...
In the late nineteenth century, a debate ensued related to the legitimacy of photography as an artis...
After his return from America, Degas had closer contact with dealers such as Durand-Ruel, In 1874 De...
This painting reveals the attention Degas dedicated to the psychological subtleties in his genre sce...
This painting reveals the attention Degas dedicated to the psychological subtleties in his genre sce...
After his return from America, Degas had closer contact with dealers such as Durand-Ruel, in an atte...
After his return from America, Degas had closer contact with dealers such as Durand-Ruel, in an atte...
This teaching guide discusses Edgar Germain Hilaire Degas (1834-1917); his paintings, and his sculpt...
Degas applied pastel in so many successive layers that the pigment became burnished and the underlyi...
Among the supreme masterpieces of the century are Degas\u27s pictures of the ballet and its dancers....
The biggest challenge in capturing motion in static art is encapsulating the underlying complex mech...
Edgar Degas’ paintings of people in personal, everyday moments are images that have resonated throug...
The horse in nineteenth-century public transport, in the collections of the national carriage and to...
Photograph of elderly Degas. Before the Start at the Horse Race (1885-1892), illustrating Degas’s d...
The horse’s figure in the eighteenth century, the classical model challenged by Edme Bouchardon’s dr...
The representations of horses in the work of a late-nineteenth-century artist, Armand Charnay. Altho...
In the late nineteenth century, a debate ensued related to the legitimacy of photography as an artis...
After his return from America, Degas had closer contact with dealers such as Durand-Ruel, In 1874 De...
This painting reveals the attention Degas dedicated to the psychological subtleties in his genre sce...
This painting reveals the attention Degas dedicated to the psychological subtleties in his genre sce...
After his return from America, Degas had closer contact with dealers such as Durand-Ruel, in an atte...
After his return from America, Degas had closer contact with dealers such as Durand-Ruel, in an atte...
This teaching guide discusses Edgar Germain Hilaire Degas (1834-1917); his paintings, and his sculpt...
Degas applied pastel in so many successive layers that the pigment became burnished and the underlyi...
Among the supreme masterpieces of the century are Degas\u27s pictures of the ballet and its dancers....
The biggest challenge in capturing motion in static art is encapsulating the underlying complex mech...
Edgar Degas’ paintings of people in personal, everyday moments are images that have resonated throug...
The horse in nineteenth-century public transport, in the collections of the national carriage and to...
Photograph of elderly Degas. Before the Start at the Horse Race (1885-1892), illustrating Degas’s d...
The horse’s figure in the eighteenth century, the classical model challenged by Edme Bouchardon’s dr...
The representations of horses in the work of a late-nineteenth-century artist, Armand Charnay. Altho...
In the late nineteenth century, a debate ensued related to the legitimacy of photography as an artis...
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