Une « révolution symbolique» dans le champ artistique marocain ?

The objective of this article is to present objectively the representations of the body in the Moroccan cinematographic productions.starting from Lahcen Zmoun’s film “Femme écrite” the objective is to capture the way nudity and female sexuality are shown publicly. The traditional legitimations, charismatic but also legal, rational, mobilized by the director in order to obtain the visa to be able to project the film in the Moroccan theatersshow an effort for a “symbolic revolution” functioning inside the Moroccan artistic field