The paper Ways of seeing and making visible the Saint Vincent Panels focuses on the idea that articulating historical knowledge with new technologies can be a form of ownership and statement for Portuguese culture and painting. Analyzing and understanding the contexts that established the successive spatial trajectories of the panels inside and outside the Museu Nacional de Arte Antiga (Lisbon), and the successive artistic variations, as well as the virtual manipulation of the iconic image of panels in the Portuguese landscape or in virtual realities, can show the painting in an expressive way, publicly and globally, and contribute to an effective and affective grasp of the fundamentals of Portuguese culture. The museum, as a space of ident...
The Portuguese national identity is closely linked to the deeds of the Age of Discovery. During the ...
Museums will be reading the reality of the world. This is about the societies in which they operate,...
Este artigo expõe o processo de desenvolvimento do projeto "Imagens que se movem: devoções e prática...
O artigo Modos de ver e de dar a ver os Painéis de São Vicente centra-se na ideia de que o conhecime...
In Portugal, over the centuries, religion used painting on canvas to evoke its sacred mysteries. De...
In recent decades, the introduction of Information and Communication Technologies in most areas of k...
This report presents a curatorial project for a digital exhibition proposal around contemporary pane...
This master thesis explores the specificities of multimedia and new media art, and the curatorial pr...
This research focuses on the tensions between everyday art, the processes of visibility and invisibi...
Material heritage typically has a whole set of associated immaterial heritage, which is essential to...
The Portuguese national identity is closely linked to the deeds of the Age of Discovery. During the...
The Museu Nacional de Arte Antiga – MNAA, reference institution in Portugal, staged two major reperc...
This text consists of an analysis of the temporary exhibition, In the Presence of Things. Four centu...
The realization of an exhibition about the paintings of the Portuguese Primitives had been desired s...
Cultural heritage is an extremely valuable set of materiality, traditions and knowledge from the Pas...
The Portuguese national identity is closely linked to the deeds of the Age of Discovery. During the ...
Museums will be reading the reality of the world. This is about the societies in which they operate,...
Este artigo expõe o processo de desenvolvimento do projeto "Imagens que se movem: devoções e prática...
O artigo Modos de ver e de dar a ver os Painéis de São Vicente centra-se na ideia de que o conhecime...
In Portugal, over the centuries, religion used painting on canvas to evoke its sacred mysteries. De...
In recent decades, the introduction of Information and Communication Technologies in most areas of k...
This report presents a curatorial project for a digital exhibition proposal around contemporary pane...
This master thesis explores the specificities of multimedia and new media art, and the curatorial pr...
This research focuses on the tensions between everyday art, the processes of visibility and invisibi...
Material heritage typically has a whole set of associated immaterial heritage, which is essential to...
The Portuguese national identity is closely linked to the deeds of the Age of Discovery. During the...
The Museu Nacional de Arte Antiga – MNAA, reference institution in Portugal, staged two major reperc...
This text consists of an analysis of the temporary exhibition, In the Presence of Things. Four centu...
The realization of an exhibition about the paintings of the Portuguese Primitives had been desired s...
Cultural heritage is an extremely valuable set of materiality, traditions and knowledge from the Pas...
The Portuguese national identity is closely linked to the deeds of the Age of Discovery. During the ...
Museums will be reading the reality of the world. This is about the societies in which they operate,...
Este artigo expõe o processo de desenvolvimento do projeto "Imagens que se movem: devoções e prática...