In many ways legends are at the heart of Flaubert’s work. Indeed, his writings show a subtle reception of the hagiography which focuses on the imaginary potential of legends, in their esthetic and intermedial dimension. Studying the legend-form allows us to reveal the complex relationship between the Flaubertian text and visual arts. This article shows, such as in Madame Bovary and Un cœur simple, the mutual clarifications between the text and the legendary image/caption. Rereading these two texts illustrates how a creative reception of the medieval form operates, a reception which greatly takes into account the new optical machines emerging in the 19th century
Emma rêve beaucoup moins sur le texte des livres que sur des images, sur les scènes illustrées de Pa...
A figure of the ivory tower that appears in Flaubert’s correspondence constitutes the central point ...
When a special edition for La legende de saint Julien l'Hospitalier was proposed, Flaubert thought o...
La légende est à plusieurs titres au cœur de l’œuvre de Flaubert. Ses textes témoignent en effet d’u...
This article focuses on the illustrated editions of Madame Bovary. After Flaubert’s death these edit...
When Flaubert began writing Madame Bovary, around 1850, literature was focusing on the “visible” wor...
Flaubert appartient à la génération des images perdues : plus de comparaisons romantiques tissant de...
The Legenda aurea belongs to the most widely spread texts in the later Middel Ages. Although the Lat...
Hagiographies exert a lively fascination during the 19th century and are vividly rewritten by many F...
This article studies the references and allusions to images of the 1840s in L’Éducation sentimentale...
Longtemps, on a reproché à Flaubert l’usage de métaphores médiocres (Proust). Or l’image flaubertien...
Flaubert was a strikingly visual writer, who needed « to see » what he evoked in words. Like a time ...
An image that has crossed literature since Antiquity, the spider appears in Flaubert’s pages like a ...
Flaubert, Gustave. Passion et VertuNumérisation effectuée à partir d'un document original.Manuscrit ...
Contient : Letttres de Gustave Flaubert à Michel Lévy, 1857-1872 ; à Noël Parfait, 1869-1872 ; à Jul...
Emma rêve beaucoup moins sur le texte des livres que sur des images, sur les scènes illustrées de Pa...
A figure of the ivory tower that appears in Flaubert’s correspondence constitutes the central point ...
When a special edition for La legende de saint Julien l'Hospitalier was proposed, Flaubert thought o...
La légende est à plusieurs titres au cœur de l’œuvre de Flaubert. Ses textes témoignent en effet d’u...
This article focuses on the illustrated editions of Madame Bovary. After Flaubert’s death these edit...
When Flaubert began writing Madame Bovary, around 1850, literature was focusing on the “visible” wor...
Flaubert appartient à la génération des images perdues : plus de comparaisons romantiques tissant de...
The Legenda aurea belongs to the most widely spread texts in the later Middel Ages. Although the Lat...
Hagiographies exert a lively fascination during the 19th century and are vividly rewritten by many F...
This article studies the references and allusions to images of the 1840s in L’Éducation sentimentale...
Longtemps, on a reproché à Flaubert l’usage de métaphores médiocres (Proust). Or l’image flaubertien...
Flaubert was a strikingly visual writer, who needed « to see » what he evoked in words. Like a time ...
An image that has crossed literature since Antiquity, the spider appears in Flaubert’s pages like a ...
Flaubert, Gustave. Passion et VertuNumérisation effectuée à partir d'un document original.Manuscrit ...
Contient : Letttres de Gustave Flaubert à Michel Lévy, 1857-1872 ; à Noël Parfait, 1869-1872 ; à Jul...
Emma rêve beaucoup moins sur le texte des livres que sur des images, sur les scènes illustrées de Pa...
A figure of the ivory tower that appears in Flaubert’s correspondence constitutes the central point ...
When a special edition for La legende de saint Julien l'Hospitalier was proposed, Flaubert thought o...