At the turn of the 17th century, English privateers assaulted Spanish West Indian coasts and cities, from the Mar del Norte to the Mar del Sur. This enemy, religious and foreign, the «pirata luterano», became at that time a «two-face» epic hero in the Spanish-American epic poetry cycle: he aroused both the admiration of his contemporaries and at the same time the most severe condemnation for his subversive actions and discourses. This new coastal war that rages is the heart of the poetic narrative of the texts studied here and is also at the origin of a larger and cloaked reflection about colonial society and the role of arms in the Spanish Imperial project
The theme of piracy in the colonial epic poetry represents patterns of military defense against an e...
La Dragontea (1598) de Lope de Vega merece lugar especial en el canon de los poemas épicos españoles...
This essay pretends to demonstrate how two epic poems, Lope de Vega’s Dragontea (1598) and Miramonte...
A finales del siglo xvi y principios del siglo xvii, los corsarios ingleses asolan las costas y ciud...
Se estudia la representación del pirata en una serie de poemas épicos en el final del siglo XVI y co...
Pirate representation is studied in a series of Epic poems in the late sixteenth century and early s...
Pirate representation is studied in a series of Epic poems in the late sixteenth century and early s...
International audienceThis essay pretends to demonstrate how two epic poems, Lope de Vega's Dragonte...
This essay pretends to demonstrate how two epic poems, Lope de Vega’s Dragontea (1598) and Miramonte...
The theme of piracy in the colonial epic poetry represents patterns of military defense against an e...
The theme of piracy in the colonial epic poetry represents patterns of military defense against an e...
This article studies the relationship between an anonymous epic satirical poem, La victoria naval pe...
Pirate representation is studied in a series of Epic poems in the late sixteenth century and early ...
With the discovery of the isthmian way connecting the North Sea – Atlantic ocean – with the South Se...
This thesis analyses the American pirate character in epic poems composed in Spanish America and Spa...
The theme of piracy in the colonial epic poetry represents patterns of military defense against an e...
La Dragontea (1598) de Lope de Vega merece lugar especial en el canon de los poemas épicos españoles...
This essay pretends to demonstrate how two epic poems, Lope de Vega’s Dragontea (1598) and Miramonte...
A finales del siglo xvi y principios del siglo xvii, los corsarios ingleses asolan las costas y ciud...
Se estudia la representación del pirata en una serie de poemas épicos en el final del siglo XVI y co...
Pirate representation is studied in a series of Epic poems in the late sixteenth century and early s...
Pirate representation is studied in a series of Epic poems in the late sixteenth century and early s...
International audienceThis essay pretends to demonstrate how two epic poems, Lope de Vega's Dragonte...
This essay pretends to demonstrate how two epic poems, Lope de Vega’s Dragontea (1598) and Miramonte...
The theme of piracy in the colonial epic poetry represents patterns of military defense against an e...
The theme of piracy in the colonial epic poetry represents patterns of military defense against an e...
This article studies the relationship between an anonymous epic satirical poem, La victoria naval pe...
Pirate representation is studied in a series of Epic poems in the late sixteenth century and early ...
With the discovery of the isthmian way connecting the North Sea – Atlantic ocean – with the South Se...
This thesis analyses the American pirate character in epic poems composed in Spanish America and Spa...
The theme of piracy in the colonial epic poetry represents patterns of military defense against an e...
La Dragontea (1598) de Lope de Vega merece lugar especial en el canon de los poemas épicos españoles...
This essay pretends to demonstrate how two epic poems, Lope de Vega’s Dragontea (1598) and Miramonte...