Liveries in the King’s Civil Household were particular clothes. Their appearance, finally codified in the 1660s, showed, by their colours and braids, the affiliation of their owner to the King’s service. They also reflected the hierarchy that existed inside the Royal Household: the variation of fabrics, but essentially the variation of materials and width of the braids, enabled contemporaries to clearly identify the different charges existing in the Royal Household. In addition, royal liveries held a prestigious dimension of their own: the luxury of their braids, the sums devoted to them, the number of people who wore them at Court and beyond, or conflicts of interest they aroused showed this dimension. They were even asked to be worn on ou...
The guards’ room, or just the ‘hall’ (la salle) as it was called until the early 17th century, was t...
If the Salon d’Apollon shone in its function as the Salle du Trône, it radiated with the furnishings...
Created in around 1670 by Louis XIV, the Cabinet of Paintings held exclusive reproduction rights to ...
Les livrées de la Maison civile du roi étaient des habits particuliers. Leur apparence, définitiveme...
Vêtir Charles II : les choix vestimentaires du roi (1660-1685) - Alors qu’il n’était qu’un jeune ho...
Pour Charles II, souverain malade, héritier tardif d’une fin – fin d’un siècle, fin d’une dynastie, ...
La culture de cour au XVe siècle impose au prince de se donner à voir à ses sujets, il se doit d'êtr...
The Royal Guards of the Spanish Habsburg kings played a fundamental role in the complex arrangements...
International audienceThe aim of this paper is to make a clarification on the luxury dress at the Ea...
The Sacred Majesty of the King : Images of a carolingian Sovereign. The body of works examined cons...
Texte intégral uniquement accessible aux membres de l'Université de LorraineThe court culture of the...
This paper discusses the regalia and ceremonies of the United Kingdom, starting with a brief referen...
Henry VIII used his wardrobe, and that of his family and household, as a way of expressing his wealt...
[fre] Résumé Cette thèse étudie l'évolution des rapports entre le pouvoir monarchique et la noblesse...
Au début de l’époque moderne, la Maison militaire du roi n’était qu’une simple garde personnelle du ...
The guards’ room, or just the ‘hall’ (la salle) as it was called until the early 17th century, was t...
If the Salon d’Apollon shone in its function as the Salle du Trône, it radiated with the furnishings...
Created in around 1670 by Louis XIV, the Cabinet of Paintings held exclusive reproduction rights to ...
Les livrées de la Maison civile du roi étaient des habits particuliers. Leur apparence, définitiveme...
Vêtir Charles II : les choix vestimentaires du roi (1660-1685) - Alors qu’il n’était qu’un jeune ho...
Pour Charles II, souverain malade, héritier tardif d’une fin – fin d’un siècle, fin d’une dynastie, ...
La culture de cour au XVe siècle impose au prince de se donner à voir à ses sujets, il se doit d'êtr...
The Royal Guards of the Spanish Habsburg kings played a fundamental role in the complex arrangements...
International audienceThe aim of this paper is to make a clarification on the luxury dress at the Ea...
The Sacred Majesty of the King : Images of a carolingian Sovereign. The body of works examined cons...
Texte intégral uniquement accessible aux membres de l'Université de LorraineThe court culture of the...
This paper discusses the regalia and ceremonies of the United Kingdom, starting with a brief referen...
Henry VIII used his wardrobe, and that of his family and household, as a way of expressing his wealt...
[fre] Résumé Cette thèse étudie l'évolution des rapports entre le pouvoir monarchique et la noblesse...
Au début de l’époque moderne, la Maison militaire du roi n’était qu’une simple garde personnelle du ...
The guards’ room, or just the ‘hall’ (la salle) as it was called until the early 17th century, was t...
If the Salon d’Apollon shone in its function as the Salle du Trône, it radiated with the furnishings...
Created in around 1670 by Louis XIV, the Cabinet of Paintings held exclusive reproduction rights to ...