This essay discusses the eighteenth-century Philadelphia Museum of artist Charles Willson Peale, and particularly the numerous portraits, including those of French military commanders, painted for it. Inspired by eighteenth-century Enlightenment ideals celebrating humankind’s capacity to learn and use new information, Peale conceived his Philadelphia Museum. In it Peale intended the works of man and nature to co-exist for the edification of all. The Philadelphia Museum, Peale said, served “to instruct the mind and sow the seeds of Virtue” in the new, American republic. During the late-eighteenth and early-nineteenth centuries, Peale and his family filled the museum with hundreds of painted portraits, thousands of natural history specimens, ...
The essay discusses the German philologist, archaeologist and historian J.J. Winckelmann's theoretic...
In 1807, Charles Fraser lauded fellow miniature artist Edward Greene Malbone\u27s ability to produce...
grantor: University of TorontoJudged by contemporary standards of museum practice and dis...
This essay discusses the eighteenth-century Philadelphia Museum of artist Charles Willson Peale, and...
Because Charles Willson Peale was unable to secure public funding for the Philadelphia Museum of art...
The purpose of this study is to trace the roots and early development of the American art museum, ba...
After his return from two years of study in London in 1769 and before his permanent move to Philadel...
Peale\u27s self-portrait, The Artist in His Museum (1822), represents the painter\u27s concept of th...
textThis thesis examines Charles Willson Peale’s utilization of visual metaphors within his founding...
In this paper, I explore Peale’s monumental painting, a work that is many things, a self-portrait an...
An Exhibition Checklist, October 1 - December 1 1987https://digitalcommons.lasalle.edu/exhibition_ca...
Between this country\u27s Centennial and its Sesqui-centennial, the years described in this disserta...
abstract: In this thesis, I examine the inclusion of American Indians as museum subjects and partici...
Images of the founding fathers shaped the way Americans saw their nation and its leading figures. Ju...
Famous colonial portrait painter Charles Willson Peale ( second only to Benjamin Franklin as Philade...
The essay discusses the German philologist, archaeologist and historian J.J. Winckelmann's theoretic...
In 1807, Charles Fraser lauded fellow miniature artist Edward Greene Malbone\u27s ability to produce...
grantor: University of TorontoJudged by contemporary standards of museum practice and dis...
This essay discusses the eighteenth-century Philadelphia Museum of artist Charles Willson Peale, and...
Because Charles Willson Peale was unable to secure public funding for the Philadelphia Museum of art...
The purpose of this study is to trace the roots and early development of the American art museum, ba...
After his return from two years of study in London in 1769 and before his permanent move to Philadel...
Peale\u27s self-portrait, The Artist in His Museum (1822), represents the painter\u27s concept of th...
textThis thesis examines Charles Willson Peale’s utilization of visual metaphors within his founding...
In this paper, I explore Peale’s monumental painting, a work that is many things, a self-portrait an...
An Exhibition Checklist, October 1 - December 1 1987https://digitalcommons.lasalle.edu/exhibition_ca...
Between this country\u27s Centennial and its Sesqui-centennial, the years described in this disserta...
abstract: In this thesis, I examine the inclusion of American Indians as museum subjects and partici...
Images of the founding fathers shaped the way Americans saw their nation and its leading figures. Ju...
Famous colonial portrait painter Charles Willson Peale ( second only to Benjamin Franklin as Philade...
The essay discusses the German philologist, archaeologist and historian J.J. Winckelmann's theoretic...
In 1807, Charles Fraser lauded fellow miniature artist Edward Greene Malbone\u27s ability to produce...
grantor: University of TorontoJudged by contemporary standards of museum practice and dis...