In the frame of a convergence between Cultural History and Political History, this article attempts to clarify and discuss the several possibilities of interaction and the possible relations between History and Cinema, particularly examining the Cinema as historical source, as way for the historical representation, as technology to support the historiographic work, and as an historical agent that interferes in the historical process. In the last part of the article there arepresented the kinds of films that keep the relationship with the historical representation
This essay discusses cinema as a political representation that expresses the particularities of a gi...
Films are cultural representations of societies that are both their producers and consumers. We live...
LUCAS, Meize Regina de Lucena. Por amor ao cinema - história, crônica e memória na invenção de um ce...
o âmbito de uma convergência entre História Cultural e História Política, este artigo procura esclar...
In this article, some theoretical and methodological subjects that intend to demonstrate the importa...
Esse texto trata de um projeto que pesquisa o uso do filme como documento histórico e como recurso d...
El artículo rastrea algunas posibles líneas de análisis abiertas para historiadores e historiadoras ...
This article aims to analyze cinema as a documentary source in the historian's work. To support this...
This thesis is divided in three parts that describe an theoretical itinerary: at first it is propose...
This article describes five points for reflection on historical movies beyond the purpose of documen...
v. 5, n. 1/2, p.131-137, jan./dez. 2002.As múltiplas interferências na relação entre cinema e histór...
We are experiencing a time characterized by the unprecedented presence of history and memory in the ...
This article aims to analyze the interface film production/public history/circularity of historica...
Abstract In order to study, teach and write the history of the XX Century the use of audiovisual so...
Films are usually approached from an ideal perspective. Common theory usually hides the conditions o...
This essay discusses cinema as a political representation that expresses the particularities of a gi...
Films are cultural representations of societies that are both their producers and consumers. We live...
LUCAS, Meize Regina de Lucena. Por amor ao cinema - história, crônica e memória na invenção de um ce...
o âmbito de uma convergência entre História Cultural e História Política, este artigo procura esclar...
In this article, some theoretical and methodological subjects that intend to demonstrate the importa...
Esse texto trata de um projeto que pesquisa o uso do filme como documento histórico e como recurso d...
El artículo rastrea algunas posibles líneas de análisis abiertas para historiadores e historiadoras ...
This article aims to analyze cinema as a documentary source in the historian's work. To support this...
This thesis is divided in three parts that describe an theoretical itinerary: at first it is propose...
This article describes five points for reflection on historical movies beyond the purpose of documen...
v. 5, n. 1/2, p.131-137, jan./dez. 2002.As múltiplas interferências na relação entre cinema e histór...
We are experiencing a time characterized by the unprecedented presence of history and memory in the ...
This article aims to analyze the interface film production/public history/circularity of historica...
Abstract In order to study, teach and write the history of the XX Century the use of audiovisual so...
Films are usually approached from an ideal perspective. Common theory usually hides the conditions o...
This essay discusses cinema as a political representation that expresses the particularities of a gi...
Films are cultural representations of societies that are both their producers and consumers. We live...
LUCAS, Meize Regina de Lucena. Por amor ao cinema - história, crônica e memória na invenção de um ce...