Immanuel Kant pre-emptively excludes all man-made contrivances from his definition of the sublime. The limitations of human creation and the purposiveness in its design preclude it from consideration from both mathematical and dynamic sublimity. At best, human creation is “second-order” or “impurely” sublime. This paper thoroughly considers this assertion and searches for possible exceptions, both hypothetical and extant. It implies that humankind may be a nearing a point where it is able to create a pure example of the sublime, as defined by Kant
International audienceThe sublime emerges in the history of philosophy as the object of an aesthetic...
A crucial feature of Kant's critical-period writing on the sublime is its grounding in moral psychol...
The claim advanced in this paper is that the radicalisation of Kant’s project of the critique of met...
The main goal of this paper is to show the important anthropological consequences of the Kantian ana...
Show more ▾ There are various dichotomies in Kant’s philosophy: sensibility vs. rationalit...
In this paper I will analyse the role of the imagination in Kant's discussion of the mathematic...
The aim of this paper is twofold. First, to explain the distinction between Kant’s notions of the ...
Through the idea of the sublime, Kant articulated a type of aesthetic judgement whereby one experien...
Schopenhauer explores the paradoxical nature of the aesthetic experience of the sublime in a richer ...
The aim of this paper is twofold. First, to explain the distinction between Kant’s notions of the su...
Immanuel Kant’s work on the sublimity of aesthetic experience lends itself to puzzlement, if not mis...
I address the problem of the communicability of sublime feelings and judgements, and take issue with...
Kant admits that there are two kinds of human works that have something sublime about them, the work...
The logical structure underlying Kant\u2019s concept of the \u2018mathematical\u2019 as well as \u20...
International audienceThe sublime emerges in the history of philosophy as the object of an aesthetic...
A crucial feature of Kant's critical-period writing on the sublime is its grounding in moral psychol...
The claim advanced in this paper is that the radicalisation of Kant’s project of the critique of met...
The main goal of this paper is to show the important anthropological consequences of the Kantian ana...
Show more ▾ There are various dichotomies in Kant’s philosophy: sensibility vs. rationalit...
In this paper I will analyse the role of the imagination in Kant's discussion of the mathematic...
The aim of this paper is twofold. First, to explain the distinction between Kant’s notions of the ...
Through the idea of the sublime, Kant articulated a type of aesthetic judgement whereby one experien...
Schopenhauer explores the paradoxical nature of the aesthetic experience of the sublime in a richer ...
The aim of this paper is twofold. First, to explain the distinction between Kant’s notions of the su...
Immanuel Kant’s work on the sublimity of aesthetic experience lends itself to puzzlement, if not mis...
I address the problem of the communicability of sublime feelings and judgements, and take issue with...
Kant admits that there are two kinds of human works that have something sublime about them, the work...
The logical structure underlying Kant\u2019s concept of the \u2018mathematical\u2019 as well as \u20...
International audienceThe sublime emerges in the history of philosophy as the object of an aesthetic...
A crucial feature of Kant's critical-period writing on the sublime is its grounding in moral psychol...
The claim advanced in this paper is that the radicalisation of Kant’s project of the critique of met...