“Who still speaks today of THE French literature?” It’s in these problematic words that Abdelkebir Khatibi, an eminent figure of the French-speaking nations – who has just passed away – defined his critical relation with French language and literature in his literary work Figures de l’étranger dans la littérature française (Paris: Denoël, 1987). A book which presents itself, in its political aspect, as a criticism to the literary nationalism and the hope for internationalizing literature the founding fathers of which are a new race of writers called by A. Khatibi: “l’étranger professionnel”. This concerns taking literature (any literature) out of its ethno-centric frame in a way that questions the confrontation of the native with the extra-...
This thesis has its starting-point in a recognition that, so far, Maurice Blanchot's work has been c...
La Mémoire Tatouée or "a class conflict in the tribe of words". There would have been good reasons f...
International audienceWhen the word literature does no longer mean an answer but a question, or rath...
One of the most prolific authors writing in French today, Moroccan born Tahar Ben Jelloun has built ...
The manifesto “Pour une littérature-monde en français” (2007) questioned for the first time in a new...
On March 16th, 2007 a manifesto entitled “Pour une littérature-monde en français” (“Toward a World- ...
Après plusieurs décennies de mise en doute des pouvoirs de la littérature, celle-ci est-elle en trai...
Les journées interrogent les constructions d’écriture et de lecture (positions, choix, postures, mod...
Note:Haitian literature always had a national vocation. As presented in Sociality in the haitian nov...
Historically, the translator has effaced herself to reproduce the author’s voice and the original te...
International audienceThe author begins by giving a brief summary of the many studies Daniel Fabre d...
International audienceIn the 19th century, at a time when translations of original Indian texts were...
La littérature entretient avec le « mensonge » et le faux des rapports si intimes qu’il est impossib...
International audienceHow do we stand, as an anthropologist, to face literature? Without giving the ...
However valuable as a term defining by a shared language a grouping of nations, la Francophonie prov...
This thesis has its starting-point in a recognition that, so far, Maurice Blanchot's work has been c...
La Mémoire Tatouée or "a class conflict in the tribe of words". There would have been good reasons f...
International audienceWhen the word literature does no longer mean an answer but a question, or rath...
One of the most prolific authors writing in French today, Moroccan born Tahar Ben Jelloun has built ...
The manifesto “Pour une littérature-monde en français” (2007) questioned for the first time in a new...
On March 16th, 2007 a manifesto entitled “Pour une littérature-monde en français” (“Toward a World- ...
Après plusieurs décennies de mise en doute des pouvoirs de la littérature, celle-ci est-elle en trai...
Les journées interrogent les constructions d’écriture et de lecture (positions, choix, postures, mod...
Note:Haitian literature always had a national vocation. As presented in Sociality in the haitian nov...
Historically, the translator has effaced herself to reproduce the author’s voice and the original te...
International audienceThe author begins by giving a brief summary of the many studies Daniel Fabre d...
International audienceIn the 19th century, at a time when translations of original Indian texts were...
La littérature entretient avec le « mensonge » et le faux des rapports si intimes qu’il est impossib...
International audienceHow do we stand, as an anthropologist, to face literature? Without giving the ...
However valuable as a term defining by a shared language a grouping of nations, la Francophonie prov...
This thesis has its starting-point in a recognition that, so far, Maurice Blanchot's work has been c...
La Mémoire Tatouée or "a class conflict in the tribe of words". There would have been good reasons f...
International audienceWhen the word literature does no longer mean an answer but a question, or rath...