In this paper, we offer a conceptual and methodological intervention that demonstrates how multi-sensory ethnography might enrich critical analysis of vertical urban transformation. Through the lens of two sites in Peckham, southeast London—a multi-story car park and an ex-industrial warehouse complex—recently remade as leisure and retail spaces, we examine how processes and practices by which these spaces at height are designed and curated reproduce social and spatial inequalities. As we argue, in retraining the vantage point of research on verticality through attention to other senses—which we label here as non-ocular vistas—new perspectives and texture are brought to understandings of place-making, that address how power functions throug...
AHRC; The research was funded by the Brunel University Research Development Fund
As continuously connected surfaces making up “80% of the unbuilt area” in our urban (UN-Habitat & Cl...
High-rises are omnipresent typologies in the megapolices around the world, however they are often as...
In this paper, we offer a conceptual and methodological intervention that demonstrates how multi-sen...
In this paper, we offer a conceptual and methodological intervention that demonstrates how multi-sen...
This illustrated pamphlet communicates some of the key findings from the British Academy Small Grant...
As cities around the world are tunnelled and hollowed to new depths, geographers are giving increasi...
In the eighteenth century, the city centre of the metropolis of London was the most chaotic due to i...
© 2020 International Visual Sociology Association. Brake and Aitken present artistic work, photograp...
Urban spaces are an experience for all the senses, but all too often, academics and designers are in...
This paper takes a mediated spatial cultures approach to examine how interactive urban screens are u...
Inspired by Le Corbusier’s ideas for vertical living, the concept of “Streets in the Sky” was create...
Abstract: Cities are inseparable from their built form, with skyscrapers acting as a metonym for the...
This paper investigates the relationship between verticality and home. It develops the idea ‘vertica...
This project emerged from a previous multidisciplinary Designing for the 21st Century project - Desi...
AHRC; The research was funded by the Brunel University Research Development Fund
As continuously connected surfaces making up “80% of the unbuilt area” in our urban (UN-Habitat & Cl...
High-rises are omnipresent typologies in the megapolices around the world, however they are often as...
In this paper, we offer a conceptual and methodological intervention that demonstrates how multi-sen...
In this paper, we offer a conceptual and methodological intervention that demonstrates how multi-sen...
This illustrated pamphlet communicates some of the key findings from the British Academy Small Grant...
As cities around the world are tunnelled and hollowed to new depths, geographers are giving increasi...
In the eighteenth century, the city centre of the metropolis of London was the most chaotic due to i...
© 2020 International Visual Sociology Association. Brake and Aitken present artistic work, photograp...
Urban spaces are an experience for all the senses, but all too often, academics and designers are in...
This paper takes a mediated spatial cultures approach to examine how interactive urban screens are u...
Inspired by Le Corbusier’s ideas for vertical living, the concept of “Streets in the Sky” was create...
Abstract: Cities are inseparable from their built form, with skyscrapers acting as a metonym for the...
This paper investigates the relationship between verticality and home. It develops the idea ‘vertica...
This project emerged from a previous multidisciplinary Designing for the 21st Century project - Desi...
AHRC; The research was funded by the Brunel University Research Development Fund
As continuously connected surfaces making up “80% of the unbuilt area” in our urban (UN-Habitat & Cl...
High-rises are omnipresent typologies in the megapolices around the world, however they are often as...