Add to ORKG|mu| was a live dance theatre performance accompanied by a photography and art exhibition. It captured the thematic development of a PhD research process investigating the phenomenon of kinaesthetic empathy combining dance movement psychotherapy, phenomenology and cognitive neuroscience. The public performance considered questions such as (i) how do we perceive through our moving bodies, (ii) how does embodied practice inform our empathic relating to another’s lived experience and (iii) what are the emerging concepts of embodied empathy arising in clinical contexts
This thesis constitutes a practice-led research into the integration of digital imagery (video and/o...
The following academic and artistic project brings philosophy and movement performance together to a...
A symbolic interaction (BLUMER, 1969; MEAD, 1934; PRUS, 1996; PRUS & GRILLS, 2003) approach was take...
Through a consideration of audience experience of embodiment in contemporary dance performance, this...
Through a consideration of audience experience of embodiment in contemporary dance performance, this...
This practice-based interdisciplinary thesis unpacks 'kinaesthetic empathy' as an intersubjective ph...
This paper draws on a practice-based interdisciplinary research project to examine ‘kinaesthetic emp...
This qualitative study was designed to investigate the phenomenon of kinesthetic empathy and its im...
Perception, particularly in the case of dance spectatorship, is a kind of performance. This study co...
Perception, particularly in the case of dance spectatorship, is a kind of performance. This study co...
Dance consists of a dancer’s sensory experience as well as her/his inner experience. On the ot...
This research project originated in the questioning of the object in the physical space of the galle...
This paper presents the evaluation of a design research project that combines artistic practice and ...
This project presents an interpretation of what a 'human installation' could be, and a theoretical f...
The focus of this paper is to argue the case for embodied ways of knowing in arts research. Recognit...
This thesis constitutes a practice-led research into the integration of digital imagery (video and/o...
The following academic and artistic project brings philosophy and movement performance together to a...
A symbolic interaction (BLUMER, 1969; MEAD, 1934; PRUS, 1996; PRUS & GRILLS, 2003) approach was take...
Through a consideration of audience experience of embodiment in contemporary dance performance, this...
Through a consideration of audience experience of embodiment in contemporary dance performance, this...
This practice-based interdisciplinary thesis unpacks 'kinaesthetic empathy' as an intersubjective ph...
This paper draws on a practice-based interdisciplinary research project to examine ‘kinaesthetic emp...
This qualitative study was designed to investigate the phenomenon of kinesthetic empathy and its im...
Perception, particularly in the case of dance spectatorship, is a kind of performance. This study co...
Perception, particularly in the case of dance spectatorship, is a kind of performance. This study co...
Dance consists of a dancer’s sensory experience as well as her/his inner experience. On the ot...
This research project originated in the questioning of the object in the physical space of the galle...
This paper presents the evaluation of a design research project that combines artistic practice and ...
This project presents an interpretation of what a 'human installation' could be, and a theoretical f...
The focus of this paper is to argue the case for embodied ways of knowing in arts research. Recognit...
This thesis constitutes a practice-led research into the integration of digital imagery (video and/o...
The following academic and artistic project brings philosophy and movement performance together to a...
A symbolic interaction (BLUMER, 1969; MEAD, 1934; PRUS, 1996; PRUS & GRILLS, 2003) approach was take...