'Life for De Quincey was either angels ascending on vaults of cloud or vagrants shivering on the city streets.' Thomas De Quincey - opium-eater, celebrity journalist, and professional doppelgänger – is embedded in our culture. Modelling his character on Coleridge and his sensibility on Wordsworth, De Quincey took over the poet's former cottage in Grasmere and turned it into an opium den. Here, increasingly detached from the world, he nurtured his growing hatred of his former idols and his obsession with murder as one of the fine arts. De Quincey may never have felt the equal of the giants of the Romantic Literature he so worshipped but the writing style he pioneered – scripted and sculptured emotional memoir – was to inspire generatio...
Thomas De Quincey was a distinguished classicist who appropriated the Greek antique heritage in his ...
Studying the works of De Quincey necessarily leads to three concepts almost impossible to define: au...
Studying the works of De Quincey necessarily leads to three concepts almost impossible to define: au...
Thomas De Quincey exploits his rivalry with Samuel Taylor Coleridge to structure many of the key fea...
v. 1. Confessions of an English opium-eater -- v. 2. Recollections of the lakes and the lake poets -...
In the introductory part of the Confessions of an English Opium-Eater (1821), De Quincey makes a dis...
An introduction to the book Confessions of an English Opium-Eater and Other Writings. In this remark...
[v.1] Confessions of an English opium-eater. Autobiographic sketches. -- [v.2] The note-book of...
An introduction to the book Confessions of an English Opium-Eater and Other Writings. In this remark...
An introduction to the book Confessions of an English Opium-Eater and Other Writings. In this remark...
Title within ornamental borders.I. Autobiography from 1785 to 1803.--II. Autobiography and literary ...
An introduction to the book Confessions of an English Opium-Eater and Other Writings. In this remark...
Illus. t.-p.v. 1. Autobiography from 1785 to 1803.--v. 2. Autobiography and literary reminiscences.-...
This paper explores Thomas De Quincey's seminal text Confessions of an English Opium Eater, examinin...
In the introductory part of the Confessions of an English Opium-Eater (1821), De Quincey makes a dis...
Thomas De Quincey was a distinguished classicist who appropriated the Greek antique heritage in his ...
Studying the works of De Quincey necessarily leads to three concepts almost impossible to define: au...
Studying the works of De Quincey necessarily leads to three concepts almost impossible to define: au...
Thomas De Quincey exploits his rivalry with Samuel Taylor Coleridge to structure many of the key fea...
v. 1. Confessions of an English opium-eater -- v. 2. Recollections of the lakes and the lake poets -...
In the introductory part of the Confessions of an English Opium-Eater (1821), De Quincey makes a dis...
An introduction to the book Confessions of an English Opium-Eater and Other Writings. In this remark...
[v.1] Confessions of an English opium-eater. Autobiographic sketches. -- [v.2] The note-book of...
An introduction to the book Confessions of an English Opium-Eater and Other Writings. In this remark...
An introduction to the book Confessions of an English Opium-Eater and Other Writings. In this remark...
Title within ornamental borders.I. Autobiography from 1785 to 1803.--II. Autobiography and literary ...
An introduction to the book Confessions of an English Opium-Eater and Other Writings. In this remark...
Illus. t.-p.v. 1. Autobiography from 1785 to 1803.--v. 2. Autobiography and literary reminiscences.-...
This paper explores Thomas De Quincey's seminal text Confessions of an English Opium Eater, examinin...
In the introductory part of the Confessions of an English Opium-Eater (1821), De Quincey makes a dis...
Thomas De Quincey was a distinguished classicist who appropriated the Greek antique heritage in his ...
Studying the works of De Quincey necessarily leads to three concepts almost impossible to define: au...
Studying the works of De Quincey necessarily leads to three concepts almost impossible to define: au...