The four Living Symphonies installations that took place over summer 2014 were co-produced by Forestry Commission England and Sound And Music. The knowledge collectively developed over this 18-month process has been turned into a toolkit to assist artists and arts organisations in producing future outdoor works. 'Planning and Producing Artworks In The Natural Environment' details the complete process from early-stage planning through to installation and documentation
In the forest, field and studio: art/making/methodology and the more-than-written in the rendering o...
The output is a curated project called ‘Lightworks’ culminating in a show in 2016. The project was f...
Agenda 21, adopted at the United Nations Conference on Environment and Development in Rio de Janeiro...
This paper explores the Jones/Bulley landscape sound work 'Living Symphonies'. 'Living Symphonie...
Research Data Management case study on sound installation that toured across the UK. Discussion of o...
A knowledge exchange programme exploring the role of art in relation to the planning context of the ...
Land art and greenways have not been practiced for so long. The term which makes both of them connec...
This paper initially explored how the 1960s and 1970s Land Artists influenced a subsequent generatio...
Landscape Quartet is a UK Government Research Council funded project that aims to develop methodolog...
The exhibition explores craft practises across the world that are in tune with nature and connected ...
This submission comprises a portfolio of compositions with accompanying programme notes, reflective ...
The publication was commissioned by Baltic Centre for Contemporary Art as part of the group exhibiti...
My project is a solo show called 'Seeing Through the Ground', at the Grizedale Forest Visitor Centre...
The Land Art Generator Initiative brings together interdisciplinary teams to develop place-making us...
This output includes three bodies of paintings, conceived as separate projects, that were completed ...
In the forest, field and studio: art/making/methodology and the more-than-written in the rendering o...
The output is a curated project called ‘Lightworks’ culminating in a show in 2016. The project was f...
Agenda 21, adopted at the United Nations Conference on Environment and Development in Rio de Janeiro...
This paper explores the Jones/Bulley landscape sound work 'Living Symphonies'. 'Living Symphonie...
Research Data Management case study on sound installation that toured across the UK. Discussion of o...
A knowledge exchange programme exploring the role of art in relation to the planning context of the ...
Land art and greenways have not been practiced for so long. The term which makes both of them connec...
This paper initially explored how the 1960s and 1970s Land Artists influenced a subsequent generatio...
Landscape Quartet is a UK Government Research Council funded project that aims to develop methodolog...
The exhibition explores craft practises across the world that are in tune with nature and connected ...
This submission comprises a portfolio of compositions with accompanying programme notes, reflective ...
The publication was commissioned by Baltic Centre for Contemporary Art as part of the group exhibiti...
My project is a solo show called 'Seeing Through the Ground', at the Grizedale Forest Visitor Centre...
The Land Art Generator Initiative brings together interdisciplinary teams to develop place-making us...
This output includes three bodies of paintings, conceived as separate projects, that were completed ...
In the forest, field and studio: art/making/methodology and the more-than-written in the rendering o...
The output is a curated project called ‘Lightworks’ culminating in a show in 2016. The project was f...
Agenda 21, adopted at the United Nations Conference on Environment and Development in Rio de Janeiro...