The relational practice of affidamento, or entrustment, was developed by feminists in the context of collective groups of the 1980s in Italy. Affidamento diverges from the second wave feminist focus on horizontality and equality to recognize differing levels of competence among women, which form the basis for female relationships of trust. The adoption of affidamento represented a move away from mass campaigns for institutional reform and political equality in the early 1980s, towards the creation of autonomous feminist culture and interpersonal relationships. It responded to an impasse within feminist collectivity, where the denial of difference led to the dominance of certain voices, the passivity of other group members, and the suppre...
This lecture focuses on ‘Now You Can Go,’ a two-week long events programme inspired by Italian femin...
The article concerns the development of the public events programme “Now You Can Go” that the author...
International audienceA renowned art critic of the 1960s, Carla Lonzi abandoned the art world in 197...
This lecture focuses on ‘Now You Can Go,’ a two-week long events programme inspired by Italian femin...
As part of ‘Part 2: Feminist Legacies and Potentials in Contemporary Art Practice,’ organised by If ...
In tandem with Oreet Ashery’s Revisiting Genesis exhibition and web project Helena Reckitt discussed...
A renowned art critic of the 1960s, Carla Lonzi abandoned the art world in 1970 to found Rivolta Fem...
Rosi Braidotti’s description of the ‘transdisciplinary’ action of feminism, delineated above with pa...
The text discusses the work of Judith Butler, Nancy Fraser and Carla Lonzi-Rivolta Femminile on the ...
Now You Can Go was an events programme inspired by Italian feminisms of the late 1960s, 1970s and 19...
Feminism itself has changed dramatically from women’s liberation of the late 1960s to today’s third ...
"Instituting Feminism,” this issue of OnCurating, reflects on the efforts of curators, artists, and ...
Why are women and women’s needs persistently marginalized, even in projects designed to alleviate th...
Collectivity, (a non-bureaucratic, non-hierarchical participatory-democratic organizational form) ha...
This article examines the work of Joana Vasconcelos in relation to feminist debates about craft and ...
This lecture focuses on ‘Now You Can Go,’ a two-week long events programme inspired by Italian femin...
The article concerns the development of the public events programme “Now You Can Go” that the author...
International audienceA renowned art critic of the 1960s, Carla Lonzi abandoned the art world in 197...
This lecture focuses on ‘Now You Can Go,’ a two-week long events programme inspired by Italian femin...
As part of ‘Part 2: Feminist Legacies and Potentials in Contemporary Art Practice,’ organised by If ...
In tandem with Oreet Ashery’s Revisiting Genesis exhibition and web project Helena Reckitt discussed...
A renowned art critic of the 1960s, Carla Lonzi abandoned the art world in 1970 to found Rivolta Fem...
Rosi Braidotti’s description of the ‘transdisciplinary’ action of feminism, delineated above with pa...
The text discusses the work of Judith Butler, Nancy Fraser and Carla Lonzi-Rivolta Femminile on the ...
Now You Can Go was an events programme inspired by Italian feminisms of the late 1960s, 1970s and 19...
Feminism itself has changed dramatically from women’s liberation of the late 1960s to today’s third ...
"Instituting Feminism,” this issue of OnCurating, reflects on the efforts of curators, artists, and ...
Why are women and women’s needs persistently marginalized, even in projects designed to alleviate th...
Collectivity, (a non-bureaucratic, non-hierarchical participatory-democratic organizational form) ha...
This article examines the work of Joana Vasconcelos in relation to feminist debates about craft and ...
This lecture focuses on ‘Now You Can Go,’ a two-week long events programme inspired by Italian femin...
The article concerns the development of the public events programme “Now You Can Go” that the author...
International audienceA renowned art critic of the 1960s, Carla Lonzi abandoned the art world in 197...