The paper focuses on Imamura Shōhei’s History of Post-War Japan as Told by a Bar Hostess (Nippon Sengoshi—Madamu Onboro no Seikatsu), a documentary released for general viewing in 1970. The subject of the documentary was Azaka Emiko, the uninhibited middle-aged owner of the bar Onboro in the port city of Yokosuka, home to a U.S. naval base. Emiko embodied the phantasmagoric (chimimōryō) lowlifes who inhabited the nooks and crannies of Japanese cities and went about their lives without resentment or guilt, unburdened by familial responsibility and social norms that fascinated Imamura. While other intellectuals and film makers were obsessing about the status of Japanese democracy, Imamura chose to focus on people such as Emiko to ...
Book synopsis: From melodramas to experimental documentaries to anime, mass media in Japan constitut...
This is a brief story about a project of sending back to Hawai’i the historical document of Japanese...
(Abstract) This paper records the oral recollections of people who used to live together in the Take...
The paper focuses on Imamura Shōhei’s History of Post-War Japan as Told by a Bar Hostess/Nippon Seng...
The article aims to introduce the history of Japanese documentaries that show the diseases of Minama...
Thesis (Ph.D.)--University of Washington, 2014By exploring various figures of gendered and sexualize...
This paper summarizes the content of interviews with Miyoko Matsumura, of December 8-9, 2006 in Pari...
The outbreak of a mysterious disease shook the small town of Minamata in 1950s Japan. Later discover...
In this paper, I explore three cases from postwar Japanese media history where a single topic inspir...
In some respects the Allied occupation of Japan from 1945 to 1952 would appear to be a relatively st...
'Betwixt fiction and documentary’ reveals Imamura’s development as a filmmaker through reference to ...
In 1975 the first testimony from a “comfort woman” survivor came to light in Okinawa. This article f...
In this paper, I will examine how Japanese documentary filmmaker Tsuchimoto Noriaki (1928–2008...
In Japan state controlled active guidance of filmmakers, a central feature of many authoritarian or ...
This article focuses on three documentaries made by the acclaimed director Imamura Shōhei (1926–2006...
Book synopsis: From melodramas to experimental documentaries to anime, mass media in Japan constitut...
This is a brief story about a project of sending back to Hawai’i the historical document of Japanese...
(Abstract) This paper records the oral recollections of people who used to live together in the Take...
The paper focuses on Imamura Shōhei’s History of Post-War Japan as Told by a Bar Hostess/Nippon Seng...
The article aims to introduce the history of Japanese documentaries that show the diseases of Minama...
Thesis (Ph.D.)--University of Washington, 2014By exploring various figures of gendered and sexualize...
This paper summarizes the content of interviews with Miyoko Matsumura, of December 8-9, 2006 in Pari...
The outbreak of a mysterious disease shook the small town of Minamata in 1950s Japan. Later discover...
In this paper, I explore three cases from postwar Japanese media history where a single topic inspir...
In some respects the Allied occupation of Japan from 1945 to 1952 would appear to be a relatively st...
'Betwixt fiction and documentary’ reveals Imamura’s development as a filmmaker through reference to ...
In 1975 the first testimony from a “comfort woman” survivor came to light in Okinawa. This article f...
In this paper, I will examine how Japanese documentary filmmaker Tsuchimoto Noriaki (1928–2008...
In Japan state controlled active guidance of filmmakers, a central feature of many authoritarian or ...
This article focuses on three documentaries made by the acclaimed director Imamura Shōhei (1926–2006...
Book synopsis: From melodramas to experimental documentaries to anime, mass media in Japan constitut...
This is a brief story about a project of sending back to Hawai’i the historical document of Japanese...
(Abstract) This paper records the oral recollections of people who used to live together in the Take...