Death has disappeared from Western societies in the sense that it has become invisible. Is this the reason why it reappears now in autopsy-based television series? The exhibition of the corpse which does not participate in any way in the economy of the plot invites to conclude accordingly. Considering these often unbearable images, it would also be tempting to conclude to a return to a realism beyond which nothing else can be said. However, the scene which is assumed to be realistic is reinvested in the aesthetic field, transforming the death it was supposed to show
The essay explores the relationship between dead bodies, statues and photographs, individuating in t...
The Return of the Dead Just as anthropologists recognized, with Tylor in 1871, that the concepts o...
Les photographies tristement célèbres du supplice chinois qui inspiraient Bataille paraîtraient aujo...
Every day during prime time, millions of viewers can view corpses and experience visually various bo...
Sans corps, pas d'histoires. Vecteur d'action, instrument de la narration, et support d'un lien d'id...
International audienceOn rare occasions, television creates « Media Events » and « Broadcasts the Hi...
This paper deals about the representations of physical death in contemporary crime stories, which ar...
Even if death has always represented a very common and recurring theme in the serial narration on te...
At a time when death, by proscription, has entered into crisis in western societies, we have reason ...
Corpses in art ; In mundane representations, mortal remains are in general "problematic". In the do...
© 2001 Dr. Rebecca Scott BrayThis research considers the visualisation of the dead body throughout f...
What is death in contemporary world? “Faked”, multiplied by movies and games, it becomes standard, i...
This paper shows how the human corpse can function as an aes- thetic-therapeutic for the deceased, t...
Six lecturers' texts examine the artistic and social practices in the representation of death. Speci...
The regrettably well-known photographs of the Chinese torture which were so inspiring for Bataille w...
The essay explores the relationship between dead bodies, statues and photographs, individuating in t...
The Return of the Dead Just as anthropologists recognized, with Tylor in 1871, that the concepts o...
Les photographies tristement célèbres du supplice chinois qui inspiraient Bataille paraîtraient aujo...
Every day during prime time, millions of viewers can view corpses and experience visually various bo...
Sans corps, pas d'histoires. Vecteur d'action, instrument de la narration, et support d'un lien d'id...
International audienceOn rare occasions, television creates « Media Events » and « Broadcasts the Hi...
This paper deals about the representations of physical death in contemporary crime stories, which ar...
Even if death has always represented a very common and recurring theme in the serial narration on te...
At a time when death, by proscription, has entered into crisis in western societies, we have reason ...
Corpses in art ; In mundane representations, mortal remains are in general "problematic". In the do...
© 2001 Dr. Rebecca Scott BrayThis research considers the visualisation of the dead body throughout f...
What is death in contemporary world? “Faked”, multiplied by movies and games, it becomes standard, i...
This paper shows how the human corpse can function as an aes- thetic-therapeutic for the deceased, t...
Six lecturers' texts examine the artistic and social practices in the representation of death. Speci...
The regrettably well-known photographs of the Chinese torture which were so inspiring for Bataille w...
The essay explores the relationship between dead bodies, statues and photographs, individuating in t...
The Return of the Dead Just as anthropologists recognized, with Tylor in 1871, that the concepts o...
Les photographies tristement célèbres du supplice chinois qui inspiraient Bataille paraîtraient aujo...