Add to ORKGIn an age of musical collaboration, borrowing and remix, the law is unable to meet the needs of composers in a contemporary context. This paper examines the intersection between the precedents set in recent Australian Copyright Cases and notions of ownership, originality and contemporary compositional practice. In particular, it discusses the 2010 judgement in Larrikin Music Publishing Pty Ltd v EMI Songs Australia Pty Ltd (Larrikin) and its potential impact on two out of three novel case studies. The paper provides an uncomplicated yet effective framework within which composers can assess whether or not their work is likely to be deemed a substantial reproduction of another work
The law of music copyright, although now quite old, is still relatively young in its development and...
All musical creation builds on previous works. But using frag-ments of existing musical works in a n...
Modern composers of jazz, avant-garde, hip-hop and world music increasingly rely upon unconventional...
In an age of musical collaboration, borrowing and remix, the law is unable to meet the needs of comp...
Music borrowing is a practice commonly employed by music composers whereby fragments of previously c...
© 2001 Dr. Susan Lynette BuntingThe purpose of this dissertation is to consider whether the copyrigh...
This chapter offers a critical analysis of copyright law that integrates insights from music. The au...
Copyright specialists have often focused on the exploitation of copyright of music and on infringeme...
The current system of copyright in America is damaging to both the public and potential creators. Ke...
The standard for copyright infringement is the same across different forms of expression. But musica...
This Article focuses on the topic of music copyright, but addresses this legal issue from a differen...
This chapter considers changing conceptions of musical creativity during the nineteenth century, foc...
This paper looks into how music composers’ rights to their work are dependent on the nature of a wor...
Copyright has been struggling to keep up with the fast-paced technological advancements and the deve...
A musical work is a set of instructions that typically consists of music notation, which includes no...
The law of music copyright, although now quite old, is still relatively young in its development and...
All musical creation builds on previous works. But using frag-ments of existing musical works in a n...
Modern composers of jazz, avant-garde, hip-hop and world music increasingly rely upon unconventional...
In an age of musical collaboration, borrowing and remix, the law is unable to meet the needs of comp...
Music borrowing is a practice commonly employed by music composers whereby fragments of previously c...
© 2001 Dr. Susan Lynette BuntingThe purpose of this dissertation is to consider whether the copyrigh...
This chapter offers a critical analysis of copyright law that integrates insights from music. The au...
Copyright specialists have often focused on the exploitation of copyright of music and on infringeme...
The current system of copyright in America is damaging to both the public and potential creators. Ke...
The standard for copyright infringement is the same across different forms of expression. But musica...
This Article focuses on the topic of music copyright, but addresses this legal issue from a differen...
This chapter considers changing conceptions of musical creativity during the nineteenth century, foc...
This paper looks into how music composers’ rights to their work are dependent on the nature of a wor...
Copyright has been struggling to keep up with the fast-paced technological advancements and the deve...
A musical work is a set of instructions that typically consists of music notation, which includes no...
The law of music copyright, although now quite old, is still relatively young in its development and...
All musical creation builds on previous works. But using frag-ments of existing musical works in a n...
Modern composers of jazz, avant-garde, hip-hop and world music increasingly rely upon unconventional...