Philip Hunter reports on the one day meeting on multimedia objects in the British Library, London, October 2002. This conference was set up 'to consider the central importance of moving images and sound to our heritage and present-day culture, the necessity of adequate funding for the archives that preserve such materials, and asks why there is a lack of any coherent infrastructure for moving image and sound archives in the UK'. In fact the real subtext of this conference was the race to save 100 years worth of material.</p
The conference is based on the collective experience of ICCROM’s multi-partner programme on Sound an...
The paper, in the international peer reviewed journal Organised Sound (CUP), documents and discusses...
The Ken Saro-Wiwa Audio Archive is one example of how libraries can develop and extend the understan...
Philip Hunter reports on the one day meeting on multimedia objects in the British Library, London, O...
Much of world's documentary heritage rests in vulnerable, little-known and often inaccessible archiv...
Much of world's documentary heritage rests in vulnerable, little-known and often inaccessible archiv...
"Much of worldâ s documentary heritage rests in vulnerable, little-known and often inaccessible arc...
Audiovisual preservation continues to be one of the most complicated endeavors in the cultural herit...
This volume celebrates the tenth anniversary of the Endangered Archives Programme at the British Lib...
Digitization of audiovisual archives is opening up a wealth of challenges and possibilities for inno...
textThis thesis outlines the changing landscape of moving image archives in light of the emergence o...
“A moving image is many things: a form of entertainment, an art form, an historical record, a cultur...
accessibility, audiences, source communities This paper will present preliminary research from a new...
Audio-visual media have recorded the 20th century in way no other era has been recorded. Film, audio...
Sound archives and connected visual archives are all the time challenged by a speedy deselection of ...
The conference is based on the collective experience of ICCROM’s multi-partner programme on Sound an...
The paper, in the international peer reviewed journal Organised Sound (CUP), documents and discusses...
The Ken Saro-Wiwa Audio Archive is one example of how libraries can develop and extend the understan...
Philip Hunter reports on the one day meeting on multimedia objects in the British Library, London, O...
Much of world's documentary heritage rests in vulnerable, little-known and often inaccessible archiv...
Much of world's documentary heritage rests in vulnerable, little-known and often inaccessible archiv...
"Much of worldâ s documentary heritage rests in vulnerable, little-known and often inaccessible arc...
Audiovisual preservation continues to be one of the most complicated endeavors in the cultural herit...
This volume celebrates the tenth anniversary of the Endangered Archives Programme at the British Lib...
Digitization of audiovisual archives is opening up a wealth of challenges and possibilities for inno...
textThis thesis outlines the changing landscape of moving image archives in light of the emergence o...
“A moving image is many things: a form of entertainment, an art form, an historical record, a cultur...
accessibility, audiences, source communities This paper will present preliminary research from a new...
Audio-visual media have recorded the 20th century in way no other era has been recorded. Film, audio...
Sound archives and connected visual archives are all the time challenged by a speedy deselection of ...
The conference is based on the collective experience of ICCROM’s multi-partner programme on Sound an...
The paper, in the international peer reviewed journal Organised Sound (CUP), documents and discusses...
The Ken Saro-Wiwa Audio Archive is one example of how libraries can develop and extend the understan...