This paper analyzes the representation of national identity in Libertad Lamarque's Argentinean movies. As a singer, the artist received the title Reina del Tango (Queen of Tango), and was also the main protagonist of 1930s and 1940s Argentinean movie productions. Due to alleged conflicts with Eva Perón, her artistic career in Argentina ended abruptly by the late 1940s, when she stopped receiving invitations to work in the country and had to move to Mexico. In her cinematographic career in Argentina, though, Libertad contributed to build and disseminate a particular version of the Argentinean national identity.</p
This paper analyzes La libertad (Freedom) (2001) by Lisandro Alonso, perhaps one of the most radical...
O sucesso internacional do tango e de Carlos Gardel a partir do final da década de 1910 fez com que ...
In the present article, we intend to analyze the popular and elite identities representations into t...
Neste artigo, propõe-se uma análise da forma como a identidade nacional argentina foi representada n...
No presente artigo, proponho uma análise da forma como Libertad Lamarque representou Evita Perón. La...
Starting from the idea that biography as a form of representation of the subject constructed from th...
My dissertation examines from an interdisciplinary approach the construction of new identities based...
Argentine Cinema and National Identity covers the development of Argentine cinema since the late 195...
In the present article, we intend to analyze the representations of national identities in the songs...
Na presente tese de doutorado focalizamos as músicas gravadas por Carlos Gardel (1917 a 1935) e por ...
Partindo-se da abordagem acerca da biografia como uma forma de representação do sujeito construída a...
This paper explores the political potential of dance as a national symbol through an investigation o...
The dissertation examines a body of narratives related to the literary and film representations of E...
In the early twentieth century, the fear of cosmopolitan immigration crowd, led to a large number of...
Despite her fame and cultural prominence as a Spanish dancer, Antonia Mercé La Argentina did not app...
This paper analyzes La libertad (Freedom) (2001) by Lisandro Alonso, perhaps one of the most radical...
O sucesso internacional do tango e de Carlos Gardel a partir do final da década de 1910 fez com que ...
In the present article, we intend to analyze the popular and elite identities representations into t...
Neste artigo, propõe-se uma análise da forma como a identidade nacional argentina foi representada n...
No presente artigo, proponho uma análise da forma como Libertad Lamarque representou Evita Perón. La...
Starting from the idea that biography as a form of representation of the subject constructed from th...
My dissertation examines from an interdisciplinary approach the construction of new identities based...
Argentine Cinema and National Identity covers the development of Argentine cinema since the late 195...
In the present article, we intend to analyze the representations of national identities in the songs...
Na presente tese de doutorado focalizamos as músicas gravadas por Carlos Gardel (1917 a 1935) e por ...
Partindo-se da abordagem acerca da biografia como uma forma de representação do sujeito construída a...
This paper explores the political potential of dance as a national symbol through an investigation o...
The dissertation examines a body of narratives related to the literary and film representations of E...
In the early twentieth century, the fear of cosmopolitan immigration crowd, led to a large number of...
Despite her fame and cultural prominence as a Spanish dancer, Antonia Mercé La Argentina did not app...
This paper analyzes La libertad (Freedom) (2001) by Lisandro Alonso, perhaps one of the most radical...
O sucesso internacional do tango e de Carlos Gardel a partir do final da década de 1910 fez com que ...
In the present article, we intend to analyze the popular and elite identities representations into t...