Vocal timbre is a salient musical feature. However little research exists on if and how vocal timbre impacts perception (particularly emotional perception), and there are few techniques available which allow one to analyse vocal timbre in musical contexts. This thesis develops a new analytical technique for vocal timbre based on the hypothesis that emotion expressed in vocal timbre impacts emotional perception of lyrics. In this way, while contributing a much needed analytical technique for vocal timbre, this thesis also 1) adds to our understanding of how such a musical feature impacts perception, and 2) is part of a growing trend to use interdisciplinary methods to inform musicological enquiry.Note: The musical analysis in this thesis is ...
A wealth of theoretical and empirical arguments have suggested that music triggers emotional respons...
Background Acoustic aspects of emotional expressivity in speech have been analyzed extensively durin...
This dissertation explored perception and modeling of human vocal expression, and began by asking wh...
Aims/Goals This thesis presents a new analytical technique for vocal timbre based on the hypothesis ...
This Here we present an investigation into whether vocal timbre impacts on emotional perception of s...
This text offers some principal and methodogical issues on studies of timbre in words, music and voc...
<p>In most aspects of music--e.g., tempo, intensity, and rhythm--the emotional coloring of a melody ...
Theoretical thesis.Bibliography: pages 81-96.Chapter one -- Chapter two -- Chapter three -- Chapter ...
The field of psychology of singing is the least examined area so far, so in the research study we pr...
This thesis investigates the phenomenon of perceived vocal 'beauty' in singing, being that moment in...
The relationship between timbre and emotion has not yet been explored in-depth. Specifically, a user...
This research considers vocal resonance and musical style. A growing body of literature considers vo...
International audienceA wealth of theoretical and empirical arguments have suggested that music trig...
Why does major music sound happy and minor music sound sad? The idea that different musical modes ar...
Abstract. During the creative process music composers draw on mechanisms in order to convey emotion ...
A wealth of theoretical and empirical arguments have suggested that music triggers emotional respons...
Background Acoustic aspects of emotional expressivity in speech have been analyzed extensively durin...
This dissertation explored perception and modeling of human vocal expression, and began by asking wh...
Aims/Goals This thesis presents a new analytical technique for vocal timbre based on the hypothesis ...
This Here we present an investigation into whether vocal timbre impacts on emotional perception of s...
This text offers some principal and methodogical issues on studies of timbre in words, music and voc...
<p>In most aspects of music--e.g., tempo, intensity, and rhythm--the emotional coloring of a melody ...
Theoretical thesis.Bibliography: pages 81-96.Chapter one -- Chapter two -- Chapter three -- Chapter ...
The field of psychology of singing is the least examined area so far, so in the research study we pr...
This thesis investigates the phenomenon of perceived vocal 'beauty' in singing, being that moment in...
The relationship between timbre and emotion has not yet been explored in-depth. Specifically, a user...
This research considers vocal resonance and musical style. A growing body of literature considers vo...
International audienceA wealth of theoretical and empirical arguments have suggested that music trig...
Why does major music sound happy and minor music sound sad? The idea that different musical modes ar...
Abstract. During the creative process music composers draw on mechanisms in order to convey emotion ...
A wealth of theoretical and empirical arguments have suggested that music triggers emotional respons...
Background Acoustic aspects of emotional expressivity in speech have been analyzed extensively durin...
This dissertation explored perception and modeling of human vocal expression, and began by asking wh...