In a previous study of the beating complex by the writer two electrically driven tuning forks having frequencies of 256 d.v. and 244 d.v. respectively were used as the source of the tones. The intensities of the two tones could be valued independently from maximum to minimum by means of rheostats. The sound was conducted to the observer in a sound proof room by means of rubber tubes. When the two primary tones had equal intensities two beating intertones were heard. The pitch of one was near the upper primary while the pitch of the other was near the lower primary
ABSTRACT The pitches produced by toy pianos are sometimes perceived to be inaccurate by listeners, s...
Otoacoustic emissions (OAEs) were recorded for tone bursts presented separately and as a two-tone bu...
grantor: University of TorontoThe Multiple Auditory Steady-State Response (MASTER) techniq...
In a previous study of the beating complex by the writer two electrically driven tuning forks having...
Best results are obtained by using two electrically driven forks whose pitches are 256 dv. and 245 d...
beating between closely spaced frequency components is a well-known effect in musical acoustics, psy...
Two tuning forks with slightly different frequencies, shown in Figure 1, are sounded simultaneously ...
PDFTech ReportAM 63-17DOT/FAA/AM-63/17EarAuditory perceptionSoundLoudnessFrequency (Electromagnetism...
Pitch bending on the vibraphone is an extended performance technique called for by modern composers ...
Musicians take advantage of a phenomenon called beating when they tune their instruments to a refere...
This paper describes instruments designed to measure the tone-volume of the piano. The tone-volume d...
A method is proposed for estimating the pitch strength of sounds by measuring the proportion of corr...
Previous investigations have shown that the probe tone frequency is the main factor in determing the...
The effect of blending variable amounts of a secondary tone with a primary tone by means of interpol...
An experiment was performed in which subjects had to judge whether the pitch of two sequential sound...
ABSTRACT The pitches produced by toy pianos are sometimes perceived to be inaccurate by listeners, s...
Otoacoustic emissions (OAEs) were recorded for tone bursts presented separately and as a two-tone bu...
grantor: University of TorontoThe Multiple Auditory Steady-State Response (MASTER) techniq...
In a previous study of the beating complex by the writer two electrically driven tuning forks having...
Best results are obtained by using two electrically driven forks whose pitches are 256 dv. and 245 d...
beating between closely spaced frequency components is a well-known effect in musical acoustics, psy...
Two tuning forks with slightly different frequencies, shown in Figure 1, are sounded simultaneously ...
PDFTech ReportAM 63-17DOT/FAA/AM-63/17EarAuditory perceptionSoundLoudnessFrequency (Electromagnetism...
Pitch bending on the vibraphone is an extended performance technique called for by modern composers ...
Musicians take advantage of a phenomenon called beating when they tune their instruments to a refere...
This paper describes instruments designed to measure the tone-volume of the piano. The tone-volume d...
A method is proposed for estimating the pitch strength of sounds by measuring the proportion of corr...
Previous investigations have shown that the probe tone frequency is the main factor in determing the...
The effect of blending variable amounts of a secondary tone with a primary tone by means of interpol...
An experiment was performed in which subjects had to judge whether the pitch of two sequential sound...
ABSTRACT The pitches produced by toy pianos are sometimes perceived to be inaccurate by listeners, s...
Otoacoustic emissions (OAEs) were recorded for tone bursts presented separately and as a two-tone bu...
grantor: University of TorontoThe Multiple Auditory Steady-State Response (MASTER) techniq...