This problem constitutes a part of the experimental work in the psychology of music whose ultimate aim is to discover the objective criteria for artistic performance in vocal and instrumental music. Metfessel has shown, by making graphic representations of the voices of several famous singers, that artistic vocal production almost invariably contains a vibrato, which may be defined as a frequency-intensity fluctuation occurring in a regular periodicity usually not more than eight and one-half times or less than five and one-half times per second, and seldom covering a range of more than one full tone
Vibrato is a common feature of most present-day musical performances, from violins to opera singers,...
We have applied high-resolution vocal frequent analysis to a population of singing voices. Two impor...
The question of whether or not the vibrato, which is found in the singing voice of all vocal artists...
This problem constitutes a part of the experimental work in the psychology of music whose ultimate a...
It is generally assumed that modulation of intensity within the vibrato cycle is at least partially ...
Paralleling the extensive study of the artistic use of the vocal and instrumental vibrato is this st...
The linear source-filter theory states that the source (vocal signal) is independent of the filter (...
Experts in voice singing and voice training were asked to judge the vibrato of 30 singers (4 samples...
The vibrato rate for ten singers, all singing Schubert's Ave Maria, was measured on sonograms. ...
Vibrato, which is an oscillation in the pitch, loudness or timbre of a musical tone, is a very impor...
When timbre of singing voice is concerned, knowledge has been achieved practically, but recently the...
Acoustic and psychoacoustic aspects of vocal vibrato Johan sundberg This article reviews research on...
This study examined the association between acoustic and perceptual data related to vibrato in Weste...
The purpose of this study was to ascertain the role of chance, or consistency, in determining the ra...
Experts in voice singing and voice training were asked to judge the vibrato of 30 singers (4 samples...
Vibrato is a common feature of most present-day musical performances, from violins to opera singers,...
We have applied high-resolution vocal frequent analysis to a population of singing voices. Two impor...
The question of whether or not the vibrato, which is found in the singing voice of all vocal artists...
This problem constitutes a part of the experimental work in the psychology of music whose ultimate a...
It is generally assumed that modulation of intensity within the vibrato cycle is at least partially ...
Paralleling the extensive study of the artistic use of the vocal and instrumental vibrato is this st...
The linear source-filter theory states that the source (vocal signal) is independent of the filter (...
Experts in voice singing and voice training were asked to judge the vibrato of 30 singers (4 samples...
The vibrato rate for ten singers, all singing Schubert's Ave Maria, was measured on sonograms. ...
Vibrato, which is an oscillation in the pitch, loudness or timbre of a musical tone, is a very impor...
When timbre of singing voice is concerned, knowledge has been achieved practically, but recently the...
Acoustic and psychoacoustic aspects of vocal vibrato Johan sundberg This article reviews research on...
This study examined the association between acoustic and perceptual data related to vibrato in Weste...
The purpose of this study was to ascertain the role of chance, or consistency, in determining the ra...
Experts in voice singing and voice training were asked to judge the vibrato of 30 singers (4 samples...
Vibrato is a common feature of most present-day musical performances, from violins to opera singers,...
We have applied high-resolution vocal frequent analysis to a population of singing voices. Two impor...
The question of whether or not the vibrato, which is found in the singing voice of all vocal artists...