Add to ORKGMy research places reactions to John Cage into the historical context of the Sixties. Cage was a composer of Avant-Garde experimental music. While many mid-century reactions were negative, he has become an institution of post-modern classical music. Evidence shows one can align this change with cooptation of the Sixties Counterculture
In this paper I argue that composer John Cage’s so-called ‘silent piece’, 4’33”, is music. I first d...
The present article examines the connection between Cage’s politics and aesthetics, demonstrating ho...
John Cage's 1958 visit to Darmstadt has taken on an unprecedented level of significance in the histo...
My research places reactions to John Cage into the historical context of the Sixties. Cage was a com...
John Cage’s compositions, representative of second generation avant-garde music, are an integral par...
John Cage was a giant of American experimental music--composer, writer, and artist. He is most widel...
This article surveys the reception of concert performances in Manhattan of music by John Cage, from ...
In February 1964, the New York Philharmonic gave its notoriously disruptive performance of John Cage...
Relatively little attention has been paid to John Cage\u27s involvement with literature and voice. I...
During the 1960s many avant‐garde musicians were intensely involved in the era's social and politica...
John Cage's work and thought were undoubtedly important points of reference for many artists enterin...
Over the winter of 1958–59 the composer John Cage resided in Italy for four months. Though brief, th...
The premiere of John Cage’s Concert for Piano and Orchestra (1957–58) is notorious for being disrupt...
This work is aimed to acquaint the reader with the work of American composer John Cage in 20th centu...
In 2005 Toop was commissioned to curate a group exhibition related to composer John Cage as an adjun...
In this paper I argue that composer John Cage’s so-called ‘silent piece’, 4’33”, is music. I first d...
The present article examines the connection between Cage’s politics and aesthetics, demonstrating ho...
John Cage's 1958 visit to Darmstadt has taken on an unprecedented level of significance in the histo...
My research places reactions to John Cage into the historical context of the Sixties. Cage was a com...
John Cage’s compositions, representative of second generation avant-garde music, are an integral par...
John Cage was a giant of American experimental music--composer, writer, and artist. He is most widel...
This article surveys the reception of concert performances in Manhattan of music by John Cage, from ...
In February 1964, the New York Philharmonic gave its notoriously disruptive performance of John Cage...
Relatively little attention has been paid to John Cage\u27s involvement with literature and voice. I...
During the 1960s many avant‐garde musicians were intensely involved in the era's social and politica...
John Cage's work and thought were undoubtedly important points of reference for many artists enterin...
Over the winter of 1958–59 the composer John Cage resided in Italy for four months. Though brief, th...
The premiere of John Cage’s Concert for Piano and Orchestra (1957–58) is notorious for being disrupt...
This work is aimed to acquaint the reader with the work of American composer John Cage in 20th centu...
In 2005 Toop was commissioned to curate a group exhibition related to composer John Cage as an adjun...
In this paper I argue that composer John Cage’s so-called ‘silent piece’, 4’33”, is music. I first d...
The present article examines the connection between Cage’s politics and aesthetics, demonstrating ho...
John Cage's 1958 visit to Darmstadt has taken on an unprecedented level of significance in the histo...