O espaço na instalaçao sonora

The purpose of this article is to expose the space as one of the main artistic concerns in the sound installation from different points of view (artistic, aesthetic and philosophical). The spatial thought of the philosophical work Esferas, by Peter Sloterdijk, is taken as a basis for reflection, whose fundamental proposal is that life is a question of form, that any space imagined and created by humanity manifests a way of doing and being, and it is in that place where the essence of mankind can be understood. The works of diverse artists, whose work has been developed to a large extent in the form of this practice, are analyzed in order to treat the experience of space from the sound creation. Among them are Max Neuhaus, Robin Minard and Céleste Boursier-Mougenot. Finally, a connection is interwoven between the works analyzed and various qualities of Sloterdijk’s spatial thinking to expose them as spaces of creation that reveal a way of relating to the environment through what is heard. What is heard and how it is shared are innate questions to the experimentation of this artistic form, hence the importance of the immersion, the listening, the journey. From this point of view, the analyzed works are understood as territories that interrogate artistic and aesthetic listening, an activity with a dynamism that transforms, interrogates and redeems the spaces of life.The purpose of this article is to expose the space as one of the main artistic concerns in the sound installation from different points of view (artistic, aesthetic and philosophical). The spatial thought of the philosophical work Esferas, by Peter Sloterdijk, is taken as a basis for reflection, whose fundamental proposal is that life is a question of form, that any space imagined and created by humanity manifests a way of doing and being, and it is in that place where the essence of mankind can be understood. The works of diverse artists, whose work has been developed to a large extent in the form of this practice, are analyzed in order to treat the experience of space from the sound creation. Among them are Max Neuhaus, Robin Minard and Céleste Boursier-Mougenot. Finally, a connection is interwoven between the works analyzed and various qualities of Sloterdijk’s spatial thinking to expose them as spaces of creation that reveal a way of relating to the environment through what is heard. What is heard and how it is shared are innate questions to the experimentation of this artistic form, hence the importance of the immersion, the listening, the journey. From this point of view, the analyzed works are understood as territories that interrogate artistic and aesthetic listening, an activity with a dynamism that transforms, interrogates and redeems the spaces of life.La intención de este artículo es exponer el espacio como una de las principales preocupaciones artísticas en la instalación sonora desde distintos puntos de vista (artístico, estético y filosófico). Se toma como base de reflexión el pensamiento espacial de la obra filosófica Esferas, de Peter Sloterdijk, cuyo planteamiento fundamental radica en que la vida es una cuestión de forma, que cualquier espacio imaginado y creado por la humanidad manifiesta una manera de hacer y de ser, y que es en ese lugar donde se puede comprender la esencia del hombre. Se analizan entonces obras de diversos artistas cuyo trabajo se ha desarrollado en gran medida bajo la forma de esta práctica, con el fin de tratar la experiencia del espacio desde la creación sonora. Entre ellos están Max Neuhaus, Robin Minard y Céleste Boursier-Mougenot. Finalmente, se entreteje una conexión entre las obras analizadas y varias cualidades del pensamiento espacial de Sloterdijk para exponerlas en tanto espacios de creación que dejan entrever una manera de relacionarse con el entorno por medio de lo que se escucha. Qué se oye y cómo se lo comparte son preguntas innatas a la experimentación de esta forma artística, de ahí la importancia de la inmersión, la escucha, el recorrido. Bajo esta perspectiva, las obras analizadas son comprendidas como territorios que interrogan artística y estéticamente la escucha, actividad cuyo dinamismo transforma, interroga, redime los espacios de vida