Since the earliest days of cinema the law has influenced the conditions in which Hollywood films are made, sold, circulated or presented - from the talent contracts that enable a film to go into production, to the copyright laws that govern its distribution and the censorship laws that may block exhibition. Equally, Hollywood has left its own impression on the American legal system by lobbying to expand the duration of copyright, providing a highly visible stage for contract disputes and representing the legal system on screen.div_MCaPApub4776pu
Two main theses are presented here. The first is that there is a conceptual resemblance between the ...
Much of the real value in the entertainment industry today lies in franchises – fictional universes,...
This Note will use comparative methods to consider whether an actor should have such an interest ba...
Since the earliest days of cinema the law has influenced the conditions in which Hollywood films are...
Chapters on key topics, including copyright, trademark, piracy, antitrust, censorship, international...
Chapters on key topics, including copyright, trademark, piracy, antitrust, censorship, international...
In the period prior to the inclusion of motion pictures in copyright law in 1912, film producers had...
This collection brings together contemporary work from Britain, Germany and the United States on how...
Film Law: A Copyright Perspective (Abstract) The rigorous work describes and analyses the film law, ...
The proliferation of movies at the turn of the twentieth century attracted not only the attention of...
Originally described by Richard Sherwin of New York Law School as the law and film movement's 'found...
Described by Richard Sherwin of New York Law School as the law and film movement's 'founding text', ...
The study upon which this article is based arose from a series of seminars on Law and Film Studies d...
American copyright law has undergone an unappreciated conceptual transformation over the course of t...
American copyright law has undergone an unappreciated conceptual transformation over the course of t...
Two main theses are presented here. The first is that there is a conceptual resemblance between the ...
Much of the real value in the entertainment industry today lies in franchises – fictional universes,...
This Note will use comparative methods to consider whether an actor should have such an interest ba...
Since the earliest days of cinema the law has influenced the conditions in which Hollywood films are...
Chapters on key topics, including copyright, trademark, piracy, antitrust, censorship, international...
Chapters on key topics, including copyright, trademark, piracy, antitrust, censorship, international...
In the period prior to the inclusion of motion pictures in copyright law in 1912, film producers had...
This collection brings together contemporary work from Britain, Germany and the United States on how...
Film Law: A Copyright Perspective (Abstract) The rigorous work describes and analyses the film law, ...
The proliferation of movies at the turn of the twentieth century attracted not only the attention of...
Originally described by Richard Sherwin of New York Law School as the law and film movement's 'found...
Described by Richard Sherwin of New York Law School as the law and film movement's 'founding text', ...
The study upon which this article is based arose from a series of seminars on Law and Film Studies d...
American copyright law has undergone an unappreciated conceptual transformation over the course of t...
American copyright law has undergone an unappreciated conceptual transformation over the course of t...
Two main theses are presented here. The first is that there is a conceptual resemblance between the ...
Much of the real value in the entertainment industry today lies in franchises – fictional universes,...
This Note will use comparative methods to consider whether an actor should have such an interest ba...