A study of the minority status of independent films in the deaf community: Implications for deaf studies curriculum development

A potentially rich source of curricular material for the development of a Deaf Studies curriculum lies in the category of feature films. The case of minority status of films produced by the American Deaf community is presented based on a comparison with the African-American independent film industry. An ethnographic study formulates an understanding of the contributions made by deaf independent filmmaker, Ernest Marshall. Marshall's personal background, his film business and perspectives on the value of film and signed language are discussed. A description of Marshall's film collection also provides an excellent historical resource for signed language use and for cross-cultural comparison purposes. Film studies are stressed as a viable teaching approach where the film medium providing cultural insights into the lives of deaf people and serving as a primary source for the documentation and preservation of American Sign Language.p. 105 missing in paper original, appears to be present in microfilm version