This document provides a short history and analysis of Gerard Grisey's Anubis et Nout, written for Harry Sparnaay in 1983 and dedicated to Claude Vivier, a friend and colleague of Grisey's who was murdered that year. Although Anubis et Nout is originally for solo contrabass clarinet, Grisey also created a version in 1990 for Claude Delangle, to be played on either baritone or bass saxophone. Both versions are published by Ricordi.In the first two chapters, I present a brief introduction to the life and music of Gerard Grisey, as well as an introduction to Claude Vivier. In chapter three, I give a chronology of Anubis et Nout; the history presented here is largely informed by interviews conducted by the author with instrumentalists Jean-Noel...
Includes bibliographical references (pages 40-41)Includes recorded audio files in MP3 format, 1:02:5...
Master of MusicDepartment of MusicAnna Marie WytkoIn 1838, Belgian instrument maker Adolphe Sax crea...
In this article, we propose a reading for the first piece of the suite Les Espaces Acoustiques, Prol...
International audienceAnubis-Nout was composed by Gérard Grisey in 1983 in memoriam Claude Vivier, m...
This dissertation offers a broad analytical perspective on the late works of Gerard Grisey, with par...
Gérard Grisey, l’un des premiers compositeurs français représentants de la musique spectrale, est de...
It is tolerably well known that Gerard Grisey’s first instrument was the accordion, but little has b...
First developed in the mid-1970s, spectral music represents one of the main genres of contemporary F...
In recent years the music of French composer Philippe Leroux (b. 1959) has become more widely progra...
A música é uma arte temporal e seu principal material, o som, só pode existir e ser percebido quando...
International audienceGérard Grisey (1946-1998) is one of the main instigators of the spectral revol...
The paper is an attempt to consider Grisey’s music from an ontological perspective, not only as a cu...
cote interne IRCAM: Feron11bNone / NoneNational audienceThis article aims to document how spectral m...
French composer Eugene Bozza (1905-1991) has made significant contributions to the repertoire of win...
In the 1970s, French composer Gérard Grisey pioneered a new form of avant-garde composition known as...
Includes bibliographical references (pages 40-41)Includes recorded audio files in MP3 format, 1:02:5...
Master of MusicDepartment of MusicAnna Marie WytkoIn 1838, Belgian instrument maker Adolphe Sax crea...
In this article, we propose a reading for the first piece of the suite Les Espaces Acoustiques, Prol...
International audienceAnubis-Nout was composed by Gérard Grisey in 1983 in memoriam Claude Vivier, m...
This dissertation offers a broad analytical perspective on the late works of Gerard Grisey, with par...
Gérard Grisey, l’un des premiers compositeurs français représentants de la musique spectrale, est de...
It is tolerably well known that Gerard Grisey’s first instrument was the accordion, but little has b...
First developed in the mid-1970s, spectral music represents one of the main genres of contemporary F...
In recent years the music of French composer Philippe Leroux (b. 1959) has become more widely progra...
A música é uma arte temporal e seu principal material, o som, só pode existir e ser percebido quando...
International audienceGérard Grisey (1946-1998) is one of the main instigators of the spectral revol...
The paper is an attempt to consider Grisey’s music from an ontological perspective, not only as a cu...
cote interne IRCAM: Feron11bNone / NoneNational audienceThis article aims to document how spectral m...
French composer Eugene Bozza (1905-1991) has made significant contributions to the repertoire of win...
In the 1970s, French composer Gérard Grisey pioneered a new form of avant-garde composition known as...
Includes bibliographical references (pages 40-41)Includes recorded audio files in MP3 format, 1:02:5...
Master of MusicDepartment of MusicAnna Marie WytkoIn 1838, Belgian instrument maker Adolphe Sax crea...
In this article, we propose a reading for the first piece of the suite Les Espaces Acoustiques, Prol...