"In Silence My Tongue is Broken": The Social Construction of Women's Rhetoric Before 1750 examines the rhetorical strategies that Sappho (c. 600 B.C.E.), Christine de Pizan (1364-1430?), Lady Elizabeth Cary (1585-1639), and Lady Mary Wortley Montagu (1689-1762) used to speak for the female experience. These women became autonomous subjects of discourse by adapting the language of the dominant Western tradition to speak from the position of women. In appropriating the masculine language that defined them, they were able to construct personal identities that could respond to and renegotiate male-defined reality to articulate female experiences and reconstruct feminine identities. The silencing of women's voices usually accompanied the strengt...
This first in-depth study of women’s politeness examines the complex relationship individuals had wi...
This dissertation investigates the textual gesture whereby a male author--the ladies\u27 man of my t...
This study explores how we may read silence in dramatic works as a rhetorical strategy. Silence is u...
Throughout the seventeenth century, “Discretion, Silence and Modesty” remained three qualities expec...
I examine a literary tradition of male poets who use a fallen female figure as their speaking subjec...
Antinarcissistic rhetoric refers to the ways in which women rhetors appropriate patriarchal discours...
This dissertation explores the complex and contradictory relationship between female speech and chas...
Professional women, in our training and our work, often encounter discourse fashioned by men. Can we...
In London in 1620, two controversial pamphlets entered the communication circuit: ‘Hic-Mulier; or, T...
Despite the growing influence of women in the theatrical world during the late seventeenth- and earl...
This study expands the account of women\u27s literary production in seventeenth-century England. The...
260 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2000.This study expands the accoun...
This dissertation attempts to fill a void in early modern English drama studies by offering an in-d...
The capacity for the human voice to express a speaker's desires and shape a listener's will is a con...
Submitted in (partial) fulfilment of the requirements for the degree of Doctor of Philosophy, Macqua...
This first in-depth study of women’s politeness examines the complex relationship individuals had wi...
This dissertation investigates the textual gesture whereby a male author--the ladies\u27 man of my t...
This study explores how we may read silence in dramatic works as a rhetorical strategy. Silence is u...
Throughout the seventeenth century, “Discretion, Silence and Modesty” remained three qualities expec...
I examine a literary tradition of male poets who use a fallen female figure as their speaking subjec...
Antinarcissistic rhetoric refers to the ways in which women rhetors appropriate patriarchal discours...
This dissertation explores the complex and contradictory relationship between female speech and chas...
Professional women, in our training and our work, often encounter discourse fashioned by men. Can we...
In London in 1620, two controversial pamphlets entered the communication circuit: ‘Hic-Mulier; or, T...
Despite the growing influence of women in the theatrical world during the late seventeenth- and earl...
This study expands the account of women\u27s literary production in seventeenth-century England. The...
260 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2000.This study expands the accoun...
This dissertation attempts to fill a void in early modern English drama studies by offering an in-d...
The capacity for the human voice to express a speaker's desires and shape a listener's will is a con...
Submitted in (partial) fulfilment of the requirements for the degree of Doctor of Philosophy, Macqua...
This first in-depth study of women’s politeness examines the complex relationship individuals had wi...
This dissertation investigates the textual gesture whereby a male author--the ladies\u27 man of my t...
This study explores how we may read silence in dramatic works as a rhetorical strategy. Silence is u...