This book explores, for the first time, the engagement of the five 'national' art galleries of the different regions of Australia with the UK art market. It deals with the trade in British artworks during a crucial period when the Australian colonies transitioned to become first dominions then a united Commonwealth. Through these developments Australia's relationship with the British empire was fundamentally changed, and I explore the collecting activities of these institutions in order to offer insights into the cultural diplomacy Australians engaged in to negotiate their own hybrid British identity. It challenges views that ‘imperial’ relations led Australian art galleries to blindly follow UK examples and instructions
This paper explores the subject of how identity and difference are constructed in and by museums. Sp...
A survey of, and reflections on, the growth of art museums in Australia based on personal experience...
This paper examines the virtual invisibility of colonial art in British art museums today, despite a...
© 2004 Dr. Sarah Russell ScottBetween 1953 and 1964 a series of major Australian art commissions and...
Australia’s relationship with the rest of the world was particularly complex in the two decades of a...
This dissertation examines the Art Gallery of South Australia’s patterns of collecting modern and c...
© 2015 Dr. Suzanne FraserScottish art was consistently collected and displayed in Australia from the...
Subtle and wide-ranging in its account, this study explores the impact of Australian art in Britain ...
In recent times a number of major exhibitions have been mounted in Australian drawing from the deep ...
This study examines the art practices and management of the National Art Galleries of Australia and ...
This thesis explores the cultural and artistic influence of Britain in Australia, or the Britishness...
The recent public advent of Aboriginal and Torres Strait Islander art and its national and internati...
This article examines the significance of the large number of European reproductive prints present i...
Provides an overview of the major developments in Australian art, from its origins to the present. T...
During the early 1960s, an expatriate community of Australian artists lived and exhibited in London....
This paper explores the subject of how identity and difference are constructed in and by museums. Sp...
A survey of, and reflections on, the growth of art museums in Australia based on personal experience...
This paper examines the virtual invisibility of colonial art in British art museums today, despite a...
© 2004 Dr. Sarah Russell ScottBetween 1953 and 1964 a series of major Australian art commissions and...
Australia’s relationship with the rest of the world was particularly complex in the two decades of a...
This dissertation examines the Art Gallery of South Australia’s patterns of collecting modern and c...
© 2015 Dr. Suzanne FraserScottish art was consistently collected and displayed in Australia from the...
Subtle and wide-ranging in its account, this study explores the impact of Australian art in Britain ...
In recent times a number of major exhibitions have been mounted in Australian drawing from the deep ...
This study examines the art practices and management of the National Art Galleries of Australia and ...
This thesis explores the cultural and artistic influence of Britain in Australia, or the Britishness...
The recent public advent of Aboriginal and Torres Strait Islander art and its national and internati...
This article examines the significance of the large number of European reproductive prints present i...
Provides an overview of the major developments in Australian art, from its origins to the present. T...
During the early 1960s, an expatriate community of Australian artists lived and exhibited in London....
This paper explores the subject of how identity and difference are constructed in and by museums. Sp...
A survey of, and reflections on, the growth of art museums in Australia based on personal experience...
This paper examines the virtual invisibility of colonial art in British art museums today, despite a...