At the invitation of the feminist sound curatorial collective, Electra, who were in residence at the Wysing Arts Centre from July to August 2015, two scores for speaking were created based on the theme for the year of residencies at Wysing: Karen Barad's concept of the Multiverse The first score 'A Feminist Chorus at Wysing' was in consultation with the reading group of Electra sound artists resident at Wysing in July 2015, such as Lisa Busby, Irene Revell, Cathy Lane and Holly Ingleton, their choice of extracts from texts significant to them from the group formed the basis of an chorus spoken by visitors to Wysing for the open day of 27th July. Picking up texts distributed around the residency house: on steps and under windows, visitors r...
The book opens up a new way of thinking about the absence of women's music. It does not aim to find ...
The twelfth meeting of the international, biennial conference Feminist Theory and Music will take pl...
Through examining Judith Weir’s woman.life.song (2000), the work presented in this written reflectio...
A Feminist Chorus was a collaborative participatory sound work made with Glasgow Women's Library and...
Written between July and August 2015, these scores reflect my relationship with three domestic space...
'A Feminist Chorus for Glasgow School of Art' was a sound work installed in the 'Hen Run' of Glasgow...
A Feminist Chorus in three acts, entitled Un Refrain Féministe/A Feminist Chorus, was created on the...
This small performance will be a piece of a 3-part project. It is tied to a full-length poetry manus...
A Feminist Chorus for Feminist Revolt was performed as part of Now You Can Go, the series of events,...
In 2014, I was commissioned to make a new work for Survival Kit Festival, Umeå, Sweden. The outcome,...
This work forms part of an ongoing investigation into the text or performance score. Specifically I ...
Many Voices is a one-act performance piece. It focuses on the topic of sexism. It consists of short ...
The previously anecdotal lack of a broad engagement by women in sound art and music technology in th...
“I confess I enjoyed accentuating the character, perhaps as a provocation!” Thus Isabelle Aboulker, ...
This essay explores the possibilities and limitations of an écriture féminine musicale in electroaco...
The book opens up a new way of thinking about the absence of women's music. It does not aim to find ...
The twelfth meeting of the international, biennial conference Feminist Theory and Music will take pl...
Through examining Judith Weir’s woman.life.song (2000), the work presented in this written reflectio...
A Feminist Chorus was a collaborative participatory sound work made with Glasgow Women's Library and...
Written between July and August 2015, these scores reflect my relationship with three domestic space...
'A Feminist Chorus for Glasgow School of Art' was a sound work installed in the 'Hen Run' of Glasgow...
A Feminist Chorus in three acts, entitled Un Refrain Féministe/A Feminist Chorus, was created on the...
This small performance will be a piece of a 3-part project. It is tied to a full-length poetry manus...
A Feminist Chorus for Feminist Revolt was performed as part of Now You Can Go, the series of events,...
In 2014, I was commissioned to make a new work for Survival Kit Festival, Umeå, Sweden. The outcome,...
This work forms part of an ongoing investigation into the text or performance score. Specifically I ...
Many Voices is a one-act performance piece. It focuses on the topic of sexism. It consists of short ...
The previously anecdotal lack of a broad engagement by women in sound art and music technology in th...
“I confess I enjoyed accentuating the character, perhaps as a provocation!” Thus Isabelle Aboulker, ...
This essay explores the possibilities and limitations of an écriture féminine musicale in electroaco...
The book opens up a new way of thinking about the absence of women's music. It does not aim to find ...
The twelfth meeting of the international, biennial conference Feminist Theory and Music will take pl...
Through examining Judith Weir’s woman.life.song (2000), the work presented in this written reflectio...