Add to ORKGInternational audienceThis paper, in celebration of Pierre Schaeffer's hundredth birthday, examines the difficulties hindering a complete diffusion of the ideas of this French electroacoustic music inventor and theorist. In particular, Schaeffer's tabular and graphical thinking are analysed and critiqued in order to pave the way for a renewed understanding of his theory. In the second and third parts of the paper, work still to be done and a few musical cases are discussed
Site internet, pionniers et précurseurs, Observatoire Leonardo des arts et des technosciencesDe 1942...
This chapter was commissioned by the Groupe de Recherches Musicales for inclusion in their volume on...
This chapter examines the theories of Pierre Schaeffer in relation to compositional practice in cont...
Since the middle of the 20th century, electro-acoustic music has become very important in the contem...
Since the middle of the 20 th century, electro-acoustic music has become very important in the conte...
An analysis of the relationship between Pierre Schaeffer and the musical avantgarde of 1953, with pa...
Pierre Schaeffer's magnum opus "Traité des objets musicaux " (1) was built on a struc...
In this chapter, revisiting the innovative approach to musical research undertaken by the French pio...
This paper examines two groups of composers and discusses the commonality in their approach to using...
The subject of this article originates in a simple question: how did Pierre Schaeffer’s experiments ...
This work presents a diachronic study of Pierre Schaeffer’s texts from 1942, 1950 and 1966. It shows...
The main purpose of the article is to study the set of P. Schaeffer’s views on the specifics of aura...
Sylvie Dallet, Pierre Schaeffer and the Revolution of Concrete Music Concrete music appears in the t...
Introduction La révolution de la musique électroacoustique par Pierre Schaeffer et ses collègues aut...
Listening has become a major issue of musical composition from the middle of last century on, since ...
Site internet, pionniers et précurseurs, Observatoire Leonardo des arts et des technosciencesDe 1942...
This chapter was commissioned by the Groupe de Recherches Musicales for inclusion in their volume on...
This chapter examines the theories of Pierre Schaeffer in relation to compositional practice in cont...
Since the middle of the 20th century, electro-acoustic music has become very important in the contem...
Since the middle of the 20 th century, electro-acoustic music has become very important in the conte...
An analysis of the relationship between Pierre Schaeffer and the musical avantgarde of 1953, with pa...
Pierre Schaeffer's magnum opus "Traité des objets musicaux " (1) was built on a struc...
In this chapter, revisiting the innovative approach to musical research undertaken by the French pio...
This paper examines two groups of composers and discusses the commonality in their approach to using...
The subject of this article originates in a simple question: how did Pierre Schaeffer’s experiments ...
This work presents a diachronic study of Pierre Schaeffer’s texts from 1942, 1950 and 1966. It shows...
The main purpose of the article is to study the set of P. Schaeffer’s views on the specifics of aura...
Sylvie Dallet, Pierre Schaeffer and the Revolution of Concrete Music Concrete music appears in the t...
Introduction La révolution de la musique électroacoustique par Pierre Schaeffer et ses collègues aut...
Listening has become a major issue of musical composition from the middle of last century on, since ...
Site internet, pionniers et précurseurs, Observatoire Leonardo des arts et des technosciencesDe 1942...
This chapter was commissioned by the Groupe de Recherches Musicales for inclusion in their volume on...
This chapter examines the theories of Pierre Schaeffer in relation to compositional practice in cont...