The mystery and madness dwelling in the "normal" man and woman are the main problems of Madame de Sade by Mishima Yukio, one of the best modern dramas written in Japan. By accepting the ugly and the forbidden the writers--de Sade and Mishima as well--can reveal a profound truth and answer an unspoken human need.In this article the author--introducing basic facts of new theatre development and Mishima\u27s new dramas--raises the theme of illusion as an important factor in the creative method of the work as well as in Mishima\u27s attitude to world. The heroine of Madame de Sade, Renée, taking illusion for reality, could not accept the real man--de Sade--on his return home from prison and had to reject him at the turning point of her life, ...
International audienceThis article addresses the problem of female otherness in Maeterlinck’s early ...
Kiedy w drugiej połowie XIX wieku w Japonii zaczął się wyłaniać nowoczesny teatr w stylu europejskim...
Feigned madness is a motif that – with varying frequency – returns in literary texts. It is usually ...
Madame de Sade (1965), a celebrated play by Mishima Yukio (1925-70), disentangles the enigmatic psyc...
Summer 1772. Renée, the marchioness de Sade, come back to Paris, at Madame de Montreuil's home, her ...
This article investigates the place and function of women in Sade’s fictions and focuses specificall...
Mishima Yukio premiered the play Rokumeikan in 1956 and published it in 1957. For more than half a c...
Japanese Melodrama and Modernization of Social LifeThe article begins with contradicting a popular s...
8 p. A print copy of the book in which the cited article appears is available through the UO Librari...
埼玉県越谷市Miyoji is a main character of Tempo 12nen no Shakespeare. He is a man of the humblest birth in...
Between October 1894 and July 1895, Kuroiwa Ruikô serialised his translation of English author Mary ...
This article attempts to show that Pierre Loti's Madame Chrysanthème is a highly complex text, consc...
This article looks at drama as a means for women to reflect on the construction of identity and cons...
The old Greek myth about Narcissus, the character trapped between reality and dream, life and death,...
My aim in this thesis is to reevaluate the aesthetics of Mishima Yukio through his theatrical works....
International audienceThis article addresses the problem of female otherness in Maeterlinck’s early ...
Kiedy w drugiej połowie XIX wieku w Japonii zaczął się wyłaniać nowoczesny teatr w stylu europejskim...
Feigned madness is a motif that – with varying frequency – returns in literary texts. It is usually ...
Madame de Sade (1965), a celebrated play by Mishima Yukio (1925-70), disentangles the enigmatic psyc...
Summer 1772. Renée, the marchioness de Sade, come back to Paris, at Madame de Montreuil's home, her ...
This article investigates the place and function of women in Sade’s fictions and focuses specificall...
Mishima Yukio premiered the play Rokumeikan in 1956 and published it in 1957. For more than half a c...
Japanese Melodrama and Modernization of Social LifeThe article begins with contradicting a popular s...
8 p. A print copy of the book in which the cited article appears is available through the UO Librari...
埼玉県越谷市Miyoji is a main character of Tempo 12nen no Shakespeare. He is a man of the humblest birth in...
Between October 1894 and July 1895, Kuroiwa Ruikô serialised his translation of English author Mary ...
This article attempts to show that Pierre Loti's Madame Chrysanthème is a highly complex text, consc...
This article looks at drama as a means for women to reflect on the construction of identity and cons...
The old Greek myth about Narcissus, the character trapped between reality and dream, life and death,...
My aim in this thesis is to reevaluate the aesthetics of Mishima Yukio through his theatrical works....
International audienceThis article addresses the problem of female otherness in Maeterlinck’s early ...
Kiedy w drugiej połowie XIX wieku w Japonii zaczął się wyłaniać nowoczesny teatr w stylu europejskim...
Feigned madness is a motif that – with varying frequency – returns in literary texts. It is usually ...