A adaptação operística de Richard Strauss de Salomé de Oscar Wilde transgride todas as regras de representação do corpo feminino: este corpo não é apenas contemplado pelo 'olhar masculino' mas também contempla, com resultados poderosos e mortais. Na versão de Strauss, Salomé oferece um desafio às teorias canônicas tanto do 'olhar' quanto do feminino enquanto objeto.Richard Strauss's operatic adaptation of Oscar Wilde's Salome breaks all the rules in the representation of the female body: this body is not only stared at by the 'male gaze' but stares back, with powerful and deadly results. This Salome offers a challenge to canonical theories of both 'the gaze' and feminine objectification
This thesis examines the sexual development and characterization of the title character in Richard S...
This thesis considers representations of the biblical dancer Salome in the context of the broader ch...
As in the late-Victorian pornographic novel Teleny, or The Reverse of the Medal: A Physiological Rom...
Richard Strauss’s operatic adaptation of Oscar Wilde’s Salome breaks all the rules in the represent...
A adaptação operística de Richard Strauss de Salomé de Oscar Wilde transgride todas as regras de rep...
Oscar Wilde brings out a new woman in his Salome version, theatrical piece with a central focus on t...
No female character, more than Salome, carries in herself so much power to debunk and rebut any esta...
Oscar Wilde’s Salome (1894) represents one of many incarnations of the biblical figure who became th...
Richard Strauss’ opera “Salome” is a musical discourse of the uneven power dynamics between male and...
The Salome of Oscar Wilde became one of the fundamental ways of construction and access to a myth w...
At the end of the 19th century, people could attend to the biblical theme of Salome and the beheadin...
Salome is the dance, the irresistible temptation. Herodias� daughter becomes an universal literary c...
Salome, one of the most famous representatives of the femme fatale image, has an unquestionably impo...
Salome is the myth of the Oriental princess who dances for her stepfather, Herod the tetrark at his ...
Treballs Finals de Grau de Filologia Hispànica. Facultat de Filologia. Universitat de Barcelona. Cur...
This thesis examines the sexual development and characterization of the title character in Richard S...
This thesis considers representations of the biblical dancer Salome in the context of the broader ch...
As in the late-Victorian pornographic novel Teleny, or The Reverse of the Medal: A Physiological Rom...
Richard Strauss’s operatic adaptation of Oscar Wilde’s Salome breaks all the rules in the represent...
A adaptação operística de Richard Strauss de Salomé de Oscar Wilde transgride todas as regras de rep...
Oscar Wilde brings out a new woman in his Salome version, theatrical piece with a central focus on t...
No female character, more than Salome, carries in herself so much power to debunk and rebut any esta...
Oscar Wilde’s Salome (1894) represents one of many incarnations of the biblical figure who became th...
Richard Strauss’ opera “Salome” is a musical discourse of the uneven power dynamics between male and...
The Salome of Oscar Wilde became one of the fundamental ways of construction and access to a myth w...
At the end of the 19th century, people could attend to the biblical theme of Salome and the beheadin...
Salome is the dance, the irresistible temptation. Herodias� daughter becomes an universal literary c...
Salome, one of the most famous representatives of the femme fatale image, has an unquestionably impo...
Salome is the myth of the Oriental princess who dances for her stepfather, Herod the tetrark at his ...
Treballs Finals de Grau de Filologia Hispànica. Facultat de Filologia. Universitat de Barcelona. Cur...
This thesis examines the sexual development and characterization of the title character in Richard S...
This thesis considers representations of the biblical dancer Salome in the context of the broader ch...
As in the late-Victorian pornographic novel Teleny, or The Reverse of the Medal: A Physiological Rom...