Add to ORKGThis essay compares the origins of the first documenta exhibition in Kassel in 1955 with the first great postwar exhibition in the Soviet Occupation Zone (German initials: SBZ), the 1946 Allgemeine Deutsche Kunstausstellung (General German Art Exhibition) in Dresden. Due to the ideological and geopolitical divisions between Eastern and Western Germany, the history of German art in the 20th century has not always been viewed as a German-German history. This is attested by exhibitions and catalogues which, although supposedly dedicated to 20th-century German art, in fact merely discuss the art of the West
This essay deals with the uses of art for representing power in Germany from the Weimar Republic to...
Documenta is a quintennial international art exhibition, long assumed to be the most important conte...
This is a contribution to a catalogue accompanying the exhibition "Kunst und Leben 1918 bis 1955" at...
This thesis is a comparative study of state policies and institutional practices relating to art in ...
Throughout the Cold War, the creation and reception of art in East and West Germany was inseparably ...
In this paper the author reflects on the early history of the Documenta exhibitions held every five ...
The Kölnische Kunstverein ( Cologne Art Association) was founded in 1839. In its long history, the a...
International audienceFor centuries, Dresden has been a city where different cultures overlap and wh...
The exhibition of painting and the public discourse around it were vital tools in the postwar ideol...
This dissertation aims to introduce the concept of the so-called Degenerate art which was created in...
This chapter examines several pivotal exhibitions of GDR art that took place within Germany around ...
Nazi Germany used official cultural cooperation for ideological propaganda purposes. Germany did not...
The thesis will focus on the foreign exhibitions in Prague at prague associations and art galleries ...
The Leonhardi-Museum in Dresden belonged to one of the most legendary exhibition centers / galleries...
The paper explores some political and art-historical aspects of the exhibition Unfortunately Still C...
This essay deals with the uses of art for representing power in Germany from the Weimar Republic to...
Documenta is a quintennial international art exhibition, long assumed to be the most important conte...
This is a contribution to a catalogue accompanying the exhibition "Kunst und Leben 1918 bis 1955" at...
This thesis is a comparative study of state policies and institutional practices relating to art in ...
Throughout the Cold War, the creation and reception of art in East and West Germany was inseparably ...
In this paper the author reflects on the early history of the Documenta exhibitions held every five ...
The Kölnische Kunstverein ( Cologne Art Association) was founded in 1839. In its long history, the a...
International audienceFor centuries, Dresden has been a city where different cultures overlap and wh...
The exhibition of painting and the public discourse around it were vital tools in the postwar ideol...
This dissertation aims to introduce the concept of the so-called Degenerate art which was created in...
This chapter examines several pivotal exhibitions of GDR art that took place within Germany around ...
Nazi Germany used official cultural cooperation for ideological propaganda purposes. Germany did not...
The thesis will focus on the foreign exhibitions in Prague at prague associations and art galleries ...
The Leonhardi-Museum in Dresden belonged to one of the most legendary exhibition centers / galleries...
The paper explores some political and art-historical aspects of the exhibition Unfortunately Still C...
This essay deals with the uses of art for representing power in Germany from the Weimar Republic to...
Documenta is a quintennial international art exhibition, long assumed to be the most important conte...
This is a contribution to a catalogue accompanying the exhibition "Kunst und Leben 1918 bis 1955" at...