Scopophilia and (auto) exhibitionism in contemporary performance art

U prvom se, teorijskom, dijelu rada iznose teorije prvih teoretičara skopofilije, Sigmunda Freuda i Jacquesa Lacana te moderna opaska Laure Mulvey. Definiran je i pojam ekshibicionizma te je detaljnije predstavljena funkcija i fenomenologija performativne umjetnosti. Drugi je dio rada, praktični, oblikovan interpretacijom pet izvedbi različitih umjetnika performativne umjetnosti prikladnih za definiranje odnosa ekshibicionizma i skopofilije: VALIE EXPORT, Ane Mendiete, Carolee Schneeman, Vlaste Delimar i jedinog muškog predstavnika, Antonia Gotovca koji se u svom performansu postavio u ulogu žene.The first, theoretical, part of the thesis lays out the theories of the first theorists of scopophilia, Sigmund Freud and Jacques Lacan and modern remark of Laura Mulvey. The concept of exhibitionism is defined and presented in more detail as well as the functions and phenomenology of performance art. The second part of the paper, practical one, deals with the interpretation of five performances of various artists of performance art in order to define the relationship of exhibitionism and scopophilia: Valie Export, Ana Mendieta, Carolee Schneemann, Vlasta Delimar and the only male representative, Antonio Gotovac, who is in his performance set in the role of a woman.