Intertextuality and Intermediality in Nedjeljko Fabrio´s Novele Triemeron

Intertekstualnost i intermedijalnost u romanu Triemeron Nedjeljka Fabrija bavit će se prepoznavanjem i analiziranjem intertekstualnih i intermedijalnih postupaka na primjeru romana Triemeron Nedjeljka Fabrija objavljenoga 2002. godine. Fabrio je romanopisac koji u svim svojim novopovijesnim romanima poetiĉki i tehniĉki dosljedno prati paradigmu postmodernoga romana. Temeljnu ideju o tekstualiziranosti povijesti koju u svojim romanima zastupa, pokazuje i dokazuje upravo citiranjem i preradom brojnih intertekstova. Oni su, prema književnim povjesničarima i teoretičarima, u romane uvedeni „tehnikom montaže i kolaža te su i grafički odijeljeni (horizontalnim crticama) od fikcionalnih dijelova―. Roman Triemeron jest višeslojno prozno djelo koje se može, ali i treba čitati, analizirati i interpretirati na razliĉitim razinama. Osnovna se ideja romana – nemogućnost bijega od ponavljanja povijesti i sudbine pojedinca, i na mikro i na makro razini – stalno produbljuje i dopunjuje pitanjima: domoljublje kao ideologija, ljudske sudbine u suodnosu života i politike, povijest obitelji, odnos umjetnosti i politike/ideologije… Intertekstualnost u romanu Triemeron očituje se ponajprije u činjenici da autor izvore i intertekstove ne nastoji utopiti u vlastitom tekstu, već upravo suprotno – naglašava ih, čak i grafostilističkim rješenjima. Tako vidimo da Fabrio uspostavlja intertekstualne i intermedijalne odnose između književnoga teksta i drugih umjetnosti – likovne, glazbene, filmske. Takvi su odnosi u romanu uspostavljeni i spram motiva iz popularne kulture, a što je u ovome radu pokazano primjerima.Intertextuality and intermediality in Nedjeljko Fabrio's novel Triemeron will deal with identifying and analyzing the intertextual and intermedial procedures in the case of the novel Triemeron written by Nedjeljko Fabrio and published in 2002. Nedjeljko Fabrio is novelist who in all his novels, poetically and technically follows the paradigm of post-modern novel. The fundamental idea of textualized history that is represented in his novels, is shown and proved just with quoting and processing of numerous intertext. In novels they are introduced with technique of collage and montage, and are graphically separated (horizontal line) of the fictional parts. Novel Triemeron is layered prose work that can be, and should be read, analyzed and interpreted at different levels. The basic idea of the novel - the inability to escape from the repetition of history and destiny allocations, and on the micro and macro level - constantly deepens and complements issues: patriotism as an ideology of human destiny in the correlation of life and politics, family history, the relationship between art and politics / ideology... Intertextuality in the novel Triemeron is reflected primarily in the fact that the author of sources and intertext does not seek to assimilate into the text, but the opposite - stresses them, even with graphical and stylistically solutions. Thus we see that Fabrio establishes intertextual and intermedia relations between literary texts and other art - art, music, film. Such relationships are established in the novel and towards motifs from popular culture, and what is in this paper exemplified