Ivo Brešan's The Performance of Hamlet in the Village of Mrduša Donja in Literature, Theater and in Motion Pictures

Predmet je rada odraz Brešanove najpoznatije drame Predstava Hamleta u selu Mrduša Donja u književnosti, kazalištu i na filmu. Društveno kritični Brešan poznati je dramatičar druge polovice 20. stoljeća, koji je u svoj opus uklopio brojna djela svjetske književnosti dajući im lokalni prizvuk. Stvorio je jedinstveni dramaturški koncept unutar kojeg se mogu analizirati njegovi dramski tekstovi te opisao odnos kazališta s književnošću, filozofijom, publikom i kritikom. Uz mnogobrojne već postojeće analize Brešanova dramskog i romanesknog opusa, u ovom se radu ističu bitne osnove Brešanova sustava: teatar u teatru, intertekstualnost i politički diskurs. Kultna drama koja spaja generacijski jaz tematizira političke okolnosti koje obilježavaju tadašnje društvo te sukob individualca naspram represivne ideologije. Kulturno-društveni krugovi shvatili su vrijednost ove groteskne tragedije koja je rezultirala nevjerojatnim uspjehom kao i njezine kazališne te filmske adaptacije. Naime, radi se o kazališnoj adaptaciji redatelja Vinka Brešana (2014.) i filmskoj Krste Papića iz 1973. godine. Umjetnička sloboda izražena u preinakama i dodacima obogatila je dramski tekst koji kroz svoje adaptacije iznova poprima novi oblik. Svaka kazališna predstava kao i film, donosi gledatelju novi pogled prethodno pročitanog djela.The subject of this work is a reflection of Bresan's most famous drama ''A performance of Hamlet in the village of Mrdusa Donja'' in literature, theatre and film. Brešan is a well-known dramatist of the second half of the 20th century, who embedded numerous works of world literature into his opus by giving them a local note. He created a unique dramatic concept within his dramatic texts could be analyzed but also describing the relationship and connection between theatre and literature, philosophy, audience and criticism. In addition to the many existing analysis of Bresan's drama and opus, this work highlights the essential basics of Bresan's system: theatre in theatre, intertextuality and political discourse. The cult drama thematises the political circumstances that characterize the society at the time and the individual's conflict against the repressive ideology. Cultural circles realized the value of this grotesque tragedy showing an incredible success as well as its theatre and film adaptations. Namely, it is about the theater adaptation of Vinko Bresan (2014) and movie adaptation of Krsto Papic (1973). The artistic freedom expressed in the alterations and additions has enriched the text of drama which afterward takes on a new form. Each theatre performance as well as the film brings to the audience and viewers a new look of the piece they read previously