During the late 1530s Amico Aspertini (1474–1552) painted a cycle of frescoes at the castle belonging to the Isolani family at Minerbio, near Bologna. The frescoes are located in three rooms (possibly used as studioli) in the tower on the north side of the castle and they were all inspired by the classical world: Hercules and his Twelve Labors, Mars, and Apollo and the Muses. Aspertini was a man of culture, a friend of scholars, philologists and humanists, and he frequented the most culturally advanced circles of Bologna animated by the Bentivoglio court and featured by the knowledge and the study of the classical world. His model for the cycle of Apollo and the Muses were the so-called Mantegna Tarocchi, but he made many changes, both in t...
This project is an exploration of Islamic influences on the Adoration of the Magi (1423) by Gentile ...
This dissertation examines the ceiling fresco of the Sala Bologna in the Vatican Palace commissioned...
This dissertation examines the role that Bologna’s university, the first inaugurated in western Euro...
The galleria at the ducal palace of the Castromediano di Lymburgh in Cavallino gathers fresco painti...
Musical images moving through ages and spaces: from Cyriacus of Ancona’s travel diaries to the early...
El sarcófago romano con Apolo, Atenea y las musas procedente de San Nicolò Gerrei (Cagliari) supone ...
The volume collects a series of essays, written by well-known Italian scholars (such as Francesco Pa...
The frescoes of the Egyptian story of Isis, Osiris and the bull Apis that were painted by Pinturicch...
Cardinal Alessandro Orsini is principally characterized by his passion for science and interest in t...
Adoration of the Magi in Uffizi was a commission from banker Guasparre dal Lama for his chapel in Sa...
The Depiction of Apollo on Baroque murals The theme of the diploma thesis is the depiction of Apollo...
The Marciana Library, built since 1537, is the first great public commission obtained by Jacopo Sans...
A unique codex in the University of Bologna, crafted as a single monographic volume, transmits an e...
Very few figures in history have generated as much fascination as Alexander the Great. In the Renais...
In examining the fresco decorations of the Palazzo Sampieri-Talon in Bologna, the final collective w...
This project is an exploration of Islamic influences on the Adoration of the Magi (1423) by Gentile ...
This dissertation examines the ceiling fresco of the Sala Bologna in the Vatican Palace commissioned...
This dissertation examines the role that Bologna’s university, the first inaugurated in western Euro...
The galleria at the ducal palace of the Castromediano di Lymburgh in Cavallino gathers fresco painti...
Musical images moving through ages and spaces: from Cyriacus of Ancona’s travel diaries to the early...
El sarcófago romano con Apolo, Atenea y las musas procedente de San Nicolò Gerrei (Cagliari) supone ...
The volume collects a series of essays, written by well-known Italian scholars (such as Francesco Pa...
The frescoes of the Egyptian story of Isis, Osiris and the bull Apis that were painted by Pinturicch...
Cardinal Alessandro Orsini is principally characterized by his passion for science and interest in t...
Adoration of the Magi in Uffizi was a commission from banker Guasparre dal Lama for his chapel in Sa...
The Depiction of Apollo on Baroque murals The theme of the diploma thesis is the depiction of Apollo...
The Marciana Library, built since 1537, is the first great public commission obtained by Jacopo Sans...
A unique codex in the University of Bologna, crafted as a single monographic volume, transmits an e...
Very few figures in history have generated as much fascination as Alexander the Great. In the Renais...
In examining the fresco decorations of the Palazzo Sampieri-Talon in Bologna, the final collective w...
This project is an exploration of Islamic influences on the Adoration of the Magi (1423) by Gentile ...
This dissertation examines the ceiling fresco of the Sala Bologna in the Vatican Palace commissioned...
This dissertation examines the role that Bologna’s university, the first inaugurated in western Euro...