Abstract: This paper is part of the disciplinary framework of drawing. The forms of symbolic representation of Naples are explored, with particular attention being given to the construction of the visual image on an urban scale. The theme of the image represented here lies in the risks of the uncritical use of the image and, above all, of technological innovation when it only affects visual communication operations through the vacant mediatic use of the architectural envelope. The consideration between the aim of the image content and the risk of its (as well as the structure’s) spectacularization is the ethical goal of this paper. Firstly, the experiences of street art recently carried out in cities, which, renewed in the aesthetic languag...
This paper explores the relationship between graphic objects and urban environments by adopting a cr...
This essay presents a study on the chromolithographs collected in the book by Raffaele D'Ambra, Napo...
As it’s well know, the «architectures in the drawer», drawings that are in the archives and have not...
Abstract: This paper is part of the disciplinary framework of drawing. The forms of symbolic represe...
This paper is part of the disciplinary framework of drawing. The forms of symbolic representation of...
This contribution brings a critical reflection on the Street Art’s role in relation to the degraded ...
This contribution brings a critical reflection on the Street Art’s role in relation to the degraded ...
The subject of study is developed in multidisciplinary form. From the point of view of graphics anal...
The design is often considered as the crossroads of different disciplines. The designer has therefo...
The work investigates the role that street art practices can play in marginal and complex urban real...
The essay investigates one of the projects in the competition for the expansion of the North area of...
The paper aims at analysing the connections between film-induced tourism, city-branding and place-ba...
This paper investigates the ephemeral architecture of the eighteenth century in Naples through the l...
Perception, awareness and appreciation of the built environment are essential skills in urban repres...
The representation area is nowaday called upon to face new challenges for new computer technologies ...
This paper explores the relationship between graphic objects and urban environments by adopting a cr...
This essay presents a study on the chromolithographs collected in the book by Raffaele D'Ambra, Napo...
As it’s well know, the «architectures in the drawer», drawings that are in the archives and have not...
Abstract: This paper is part of the disciplinary framework of drawing. The forms of symbolic represe...
This paper is part of the disciplinary framework of drawing. The forms of symbolic representation of...
This contribution brings a critical reflection on the Street Art’s role in relation to the degraded ...
This contribution brings a critical reflection on the Street Art’s role in relation to the degraded ...
The subject of study is developed in multidisciplinary form. From the point of view of graphics anal...
The design is often considered as the crossroads of different disciplines. The designer has therefo...
The work investigates the role that street art practices can play in marginal and complex urban real...
The essay investigates one of the projects in the competition for the expansion of the North area of...
The paper aims at analysing the connections between film-induced tourism, city-branding and place-ba...
This paper investigates the ephemeral architecture of the eighteenth century in Naples through the l...
Perception, awareness and appreciation of the built environment are essential skills in urban repres...
The representation area is nowaday called upon to face new challenges for new computer technologies ...
This paper explores the relationship between graphic objects and urban environments by adopting a cr...
This essay presents a study on the chromolithographs collected in the book by Raffaele D'Ambra, Napo...
As it’s well know, the «architectures in the drawer», drawings that are in the archives and have not...