Estetika proze Damira Miloša : Diplomski rad

„Estetika proze Damira Miloša“ rad je koji tematizira Milošev tekst, stavljajući naglasak na opusno uspos-tavljene značajke njegovoga rada, kao i, prvenstveno, onoga po čemu je taj rad drugačiji i specifičan, te kao takav izaziva i određen respekt unutar korpusa suvremene hrvatske književnosti. Kako se radi o autoru koji tijekom svoga dugogodišnjega rada nije bitnije odstupao od vizure kretanja teksta koju je ustanovio još sredinom osamdesetih godina prošloga stoljeća, bitno je odrediti koje od tih značajki, na koji način i s kojom svrhom pronalazimo u njego-vom spisateljskom djelovanju, te kako ga te i takve značajke marginaliziraju u konceptu suvremene hrvatske proze. Damir Miloš, bilo da se radi o dječjem piscu ili piscu za (malo drugačije) odrasle, zanimljiva je tekstualna pojava s kraja 20. i početka 21. stoljeća koja postmodernizmom uspostavljene silnice upražnjava na sebi svojstven, autenti-čan i originalan način. Rad će pokazati o čemu se u njegovim pripovjednim šumama zapravo radi te kako u njima opstati ukoliko se nađete u ulozi kritičara subjekta koji pokušava saznati je li maleno bliže od daleko i je li, primjeri-ce, teško bliže od veliko. Kako bi to sam Miloš rekao, razotkrivamo autora koji to ustvari nije. U pitanju je nadareni čitatelj koji je pukim slučajem postao autor nekog teksta.Esthetics of Damir Miloš's prose' is a paper researching Miloš's text. It is focused on characteristics which arise from his whole literal work, and, primarily, on elements giving it a different, specific and respectable note within the corpus of modern croatian literature. Damir Miloš is an author with a long history of literal preoccupations and he hasn't, at least in a greater way, changed a view inside his texts since middle 80's of the last century. Considering this, it is extremely important to define which are these elements giving his work a different and, in mod-ern croatian prose, somewhat marginalized position. Also, the paper researches which are the ways of incorporating these elements into Miloš's texts and what is meant to achieve by using them. Miloš's work can be read by children and also by, in a way different, adults. This makes him an interesting textual appearance at the end of the 20th and beginning of the 21th century, since he combines his specific, authentic and original style with postmodern poetics. The paper shows what Miloš's narrative woods actually consist of, and which are the ways of surviving them if you find yourself playing a role of a critic subject trying to find out if small is closer than far or, for example, if hard is closer than big. As Miloš himself would say, we are exposing an author who actually isn't one. Actually, the author of this text is a gifted reader, writing by pure coincidence